Professor Jessica Clark
Research & Documentation
28 November 2012
Nostalgia for Mysticism: Catholicism in Latin America & Magical Realism
One Hundred Years of Solitude by Gabriel Garcia Marquez tells the story of the town of Macondo, sticky with nostalgia, and the Buendia family who lived out those very years of solitude. Gabo’s work is written in a style known as magical realism, in which elements of the magical and the mundane are interwoven seamlessly, making it impossible to determine where reality ends and the extraordinary begins. The story is set in an otherwise ordinary world, with familiar historical and cultural realities, although events which occur are not always explained by universal laws or familiar logic. The story was originally written in Spanish, and has since been translated into thirty-seven languages. However, as any origins or bloodlines are important- it is equally as important to note that the birthplace of this masterpiece is Latin America. Much of the magical and resonant elements come to a climax at the end of the book. As the last chapters surge into our hearts, we are presented with the line that both summarizes the story itself, and the extraordinary magic and mysticism that is artfully omnipresent within its pages. In reference to the Buendia legacy it reads, “The first of the line is tied to a tree and the last is being eaten by ants.” (Marquez) At the moment we read this, we realize that Aureliano Babilonia’s son, who is bloated and still damp with the dew of birth, is being carried away by all the ants in the world. Aureliano Babilonia, the last remaining Buendia’s, is reading the manuscript of the gypsy, Melquiades, the most significant character in the novel outside of the Buendia family, who wrote the prophecy of the family one hundred years before in Sanskrit, his mother tongue. He leads us to the demise of Macondo, as it blows away in torrents of dust and whirlwinds of longing, and as the
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