To begin the passage, Petry sets a dark, desolate mood as she personifies the wind as relentless and assaulting. It is made blatantly clear that the weather “did everything it could to discourage the people along the street” and is restraining to the inhabitants of the city. Petry utilizes vivid words to enhance the strength and vigour of the wind, further adding to the life-like qualities that the wind possesses. The first encounter between Lutie Johnson and the wind is at line 34 which aids in effectively establishing the persona of the wind, and its relationship with the city. Again, Petry exercises the use of personification in making their first meeting uncomfortable and chilling. As Ms. Johnson is introduced, the wind is molesting her in a way. One can imagine that the wind is a man that completely disregards those on the receiving end of his actions. It lifts the hair away from her neck and she feels “suddenly naked”. Once more, the wind is personified as having fingers which “[touch] the back of her neck [and explore] the sides of her head”.…
For about as long as anyone’s been writing anything, the seasons have stood for the same set of meanings. Maybe it's hard-wired into us that spring has to do with childhood and youth, summer with adulthood and romance and fulfillment and passion, autumn with decline and middle age and tiredness but also harvest, winter with old age and resentment and death. (178)…
A simile can be found on line 33: "…and the metal had slowly rusted, making a dark red stain like blood." Personification plays a vital role in this excerpt. In this passage, the cold November wind is personified as an abusive, forceful man who does as he pleases with an obdurate disregard of the emotions and feelings of those subject to his actions and influences. The first example within the passage that supports this assertion can be found in line 5, when the wind's merciless barrage is portrayed by the narrator as a "violent assault." Petry takes her calamitous description of the wind a step further in lines 19-20. The wind is portrayed as insensitive as it " grabs..hats, pries scarves from around..necks, sticks its fingers inside..coat collars, and blows coats away from…bodies." The wind violates Lutie Johnson without even a bit of respect; as its icy, death-like fingers "touched the back of her neck, exposed the sides of her head." (lines 23-24). At this point in the excerpt, the wind is essentially a sexual predator; preying on the unwilling and innocent victims within its path. Petry's use of personification establishes Lutie Johnson's dogged will and refusal to settle for anything less than she…
Season functions as a universal symbol between the two works. In A Story, Mrs. Mallard could see the trees begin to grow, breath the fresh air, hear the beautiful singing and the countless sparrows twittering from the window; all of which symbolize the new life that she is going to embrace after knowing her husband’s death in a train accident:…
Throughout human history, we have been fascinated with our own mortality. This obsession with life and death has carried over into our literary works, and given birth to stories such as Dr. Frankenstein, The Picture of Dorian Gray and Dr. Faustus. These tales revolve around the preservation and unnatural extension of life, either through the power of science or the supernatural. On these ideas there are three pertinent examples of poems in which life is shown as being frail. In all of these poems life is presented as being weak and easily susceptible to negative outside forces. However, they each express this in a distinct manner; either through clinging to the life of a loved one, showing life’s weakness through its corruption and demonstrating…
In this paper I have been asked to compare and contrast literary works involving the topic of my choosing. For this paper I chose the topic of death. Death can be told in many different ways, and looked at the same. This paper is going to decide how you feel about death, is it a lonely long road that ends in sorrow, or a happy journey that ends at the heart of the soul? You decide as we take different literary works to determine which way you may feel.…
However, total oneness with nature can result in a major transformation. Humans tend to be overly stressed with shenanigans from everyday life. Whether it may be school or work,…
Note the contrast of motion and stillness. Why is the time of year so important?…
In her short story, “St. Lucy’s Home for Girls Raised by Wolves”, Karen Russell develops the progression of the characters in relation to The Jesuit Handbook on Lycanthropic Culture Shock. The characters, young girls raised as wolves, are compared to the handbook in hopes they will adapt to the human culture. The girls’ progression throughout the 5 set stages by the handbook are vital to adapting to the new culture in the time allotted. The main character, Claudette, is compared throughout the story. Claudette’s actions align well with the 5 stages, but she has outbursts that remind her of her former self.…
Spring is showery and flowery. Leaves on trees start developing and being to turn green…
Death’s allure with the colors of the sky functions shows great importance in the form of imagery. It helps portray the mood of the story, as well as create an atmosphere. By focusing on the sky’s colors at the time of human death, Death suggests that there is a connection between the human death and the climate. The idea of each person…
The composer conveys a strong feeling of grief and pain in the poem. The composer creates an empathy towards the widower, by expressing just how lonely he feels after his wife had died, and he had to stay in the place that they had shared together. Through the use of multiple metaphors, "The Christmas paddocks aching in the heat/The windless trees, the nettles in the yard" , the composer builds a path into how the widower is 'aching' after the grief of losing his wife. 'windless trees' implies the feeling of death, as the trees have no leaves, whilst 'nettles' evokes the pain and burning he is feeling at this difficult time. The reader realises that this might be a difficult time for the widower, and empathises to attempt to feel what he feels.…
The days have gone fast in the East. If the wind were not so strong, I would not have realised that it was already the end of October. Well, I suppose that being a Westerner who lives in the East merely confuses me without much excitement. Only the weather reminds me of the differences between days. However, it is a bit odd to say, but somehow the chilly days remind me of the spring. Perhaps it is on account of Shelley: “if winter comes, can spring be far behind?” Even though spring will not be too far, it will never be the same as the year that I arrived and met you, who was more gorgeous than I would never find again.…
Perhaps the first notice of spring can be seen in the climate’s temperature rising. Signaling what is known by many as the “spring thaw”, winter’s blanket of snow begins melting as the temperature changes. Along with the rise in temperature the first signs of new life are visible in the budding of the trees and flowers beginning to bloom. Hibernating animals awaken from their winter slumber and start foraging for food and searching for mates. Along with the rise in temperatures, our daylight hours increase and farmers use this extra time to cultivate the land and prepare for the planting of the crops. This is the time of year when the sky opens up with showers and love can be seen blooming all around us.…
Not just storm, the other hard circumstance where the poet examines this positive feeling of hope is the snow covered chilly lands, and the deep strange sea where one can easily wander and get lost. In other words, one should keep the will power high filled with this feeling of hope even in the extreme of extremes situations.…