be behind such a scheme since he would be next in line to the throne. Therefore, Oedipus' bad temper cannot be considered his hamartia. Another characteristic of Oedipus that some people tend to refer to as his hamartia is his murderous temperament. One can see this side of Oedipus when he recounts the story in which he killed the old man in the wagon as well as a few of the man's servants. However, Oedipus' murderous rage was completely justified in this situation. After all, the old man and his servants were trying to throw Oedipus off the road by brute force. Oedipus, in a sense, was merely defending himself from these men and killed them only out of self-defense and rage. Hence, Oedipus' murderous temperament cannot be his tragic flaw. Some people even believe that Oedipus' hamartia was carelessness. Surely anyone told about killing his father and sleeping with his mother would have avoided killing any man and sleeping with any woman. Oedipus, on the other hand, did kill a man and he did sleep with a woman. Therefore, some critics believe that he was careless. Oedipus, however, was completely careful in that he did everything in his will to get away from his parents. The only problem was that the parents he knew all his life were not his true parents. But this cannot be considered Oedipus'fault nor can carelessness be viewed as his hamartia. There are two other points that may be considered to be Oedipus' tragic flaw.
One deals with his possible pride and arrogance. Some people think that he is overly proud about his success with the Sphinx. This cannot be true, however, because he includes himself in the curse he made and is more than anxious to find the truth. The other point is Oedipus' fatal curiosity which led to his inquiry into matters (Laius' death) that might have been best left unexplored. This can hardly be considered a flaw by either the Greeks of ancient times or by people today. The truth is out there and although it may be unpalatable or dangerous, it is better than
ignorance. In conclusion, Oedipus the king of Thebes does not have a hamartia in the play. All of his emotions and actions throughout the play are completely justified and, thus, he doesn't possess a tragic flaw. Simply because a hero suffers a dreadful downfall, it does not necessarily result from his own faults.