On Mother-Daughter Relationship in the Women Warrior
On Mother-daughter relationship in The Woman Warrior
1 Brief introduction of Chinese-American literature in
United States(the special focus on mother-daughter relationship in the Chinese-American women writings)
From the nineteenth century, Chinese-American literature has been discriminated by the American literature canon. Most early Chinese American works tended to cater for the taste of the white readership. The situation changed till the later half of the twentieth century when the Civil Rights Movement took place in the United States, during which more Chinese writers emerged on the literary stage and the mainstream of American society began to pay more attention to the Chinese-American literature. The 1980s and 1990s saw flowering of Chinese-American literature, there have been so many works by Chinese-American writers that American literary criticism has come to recognize ¡°Asian literature¡± as a separate genre, of which Chinese-American literature is a most important part. While, the contemporary Chinese-American writers focused on races and cultural identity all the time, and a notable feature of more contemporary Chinese American women¡¯s writing is an emphasis upon mother-daughter relationship. We will have a look on the meaning of this phenomenon.
Cultural confrontation and reconciliation is always a major concern of the Chinese American writers who live between two worlds. Standing on the interface of the two cultures, Kinston, one of the representatives of those Chinese American writers, adopts the Chinese tradition of talk story and two generations" experiences in America, and presents readers with the between-world situation in The Woman Warrior. Through her representative work-The Woman Warrior, Kinston explores the Chinese American experience, their cultural identity, and the mother-daughter relationship in different cultural context. Although the conflicts are inevitable between two cultural worlds, with mutual communication and
1 Brief introduction of Chinese-American literature in
United States(the special focus on mother-daughter relationship in the Chinese-American women writings)
From the nineteenth century, Chinese-American literature has been discriminated by the American literature canon. Most early Chinese American works tended to cater for the taste of the white readership. The situation changed till the later half of the twentieth century when the Civil Rights Movement took place in the United States, during which more Chinese writers emerged on the literary stage and the mainstream of American society began to pay more attention to the Chinese-American literature. The 1980s and 1990s saw flowering of Chinese-American literature, there have been so many works by Chinese-American writers that American literary criticism has come to recognize ¡°Asian literature¡± as a separate genre, of which Chinese-American literature is a most important part. While, the contemporary Chinese-American writers focused on races and cultural identity all the time, and a notable feature of more contemporary Chinese American women¡¯s writing is an emphasis upon mother-daughter relationship. We will have a look on the meaning of this phenomenon.
Cultural confrontation and reconciliation is always a major concern of the Chinese American writers who live between two worlds. Standing on the interface of the two cultures, Kinston, one of the representatives of those Chinese American writers, adopts the Chinese tradition of talk story and two generations" experiences in America, and presents readers with the between-world situation in The Woman Warrior. Through her representative work-The Woman Warrior, Kinston explores the Chinese American experience, their cultural identity, and the mother-daughter relationship in different cultural context. Although the conflicts are inevitable between two cultural worlds, with mutual communication and
Bibliography: [7] Brown-Guillory, Elizabeth. Women of Color: Mother-Daughter Relationships in the 20th- Century Literature. Austin: University of Texas, 1996. [11] SIMONE De Beauvoir. 1989.The Second Sex [ M ]. New York:Vintage [12] ³£Ò«ÐÅ£®Âþ̸ӢÃÀÎÄѧ£®Ìì½ò£®ÄÏ¿ª´óѧ³ö°æÉ磮2004£®