1. Does the narrator reflect with the smells of the graveyard and how the scents carries all the way back to his house?…
Descriptions of the land and country in which the characters live sets the scene and the time period of the story. On the first page, we are given images of isolation due to the heavy winter that "buried [the land] under whiteness". This gives us a view into the feudalist lifestyles of the peasants in the mountains, and the "leisure" they enjoyed despite their hard work.…
The protagonist of “One’s a Heifer” goes on a quest to find his two lost calves. But the primary reason for taking this journey is to show his Aunt Ellen that he’s not a child anymore and is capable of succeeding. “I didn’t wave back” (54): this is the protagonist’s first attempt at adulthood, not waving goodbye to his aunt. Throughout his journey, the boy travels through “silent miles of prairie,” “nagging winds,” and deadly cold,” yet he remains determined: “[I] choked my disappointment down and clicked Tim on again” (55). When the boy finally sees what could only be his calves, he is affronted by a man, which, when he introduces himself, makes the boy feel like an adult: “Then, as if I were a grown-up, he put his hand out and said, ‘My name is Arthur Vickers’” (58). This shows again the protagonist’s desire to be treated like an adult and not a child. During some conversations with Vickers, however, the boy also discovers some scary things about him, like the fact that he “put out” a girlfriend he didn’t like. When the boy awakens that night, he tells himself to run through his plan one more time, ends up falling asleep, and has a dream about the box-stall. At this point in the story, the boy’s goal changes from finding his yearlings, to needing to know what’s inside the stall: “I agreed, realizing now that it wasn’t the calves I was looking for after all, and that I still had to see inside the stall” (64). At the end, Vickers attacks the boy after he attempts to see inside the box-stall: “Vickers seized me [...] it was such a hard, strangling clutch at my throat that I felt myself go limp and blind” (66). When the protagonist arrives home frightened, cold, and a little hysterical, his aunt tries to calm him, and tells him that the yearlings came home on their own just after he set out. And that is when the boy realizes what was in the stall: “If it wasn’t the calves in there-” (66). In one sense, the boy fails in his quest, for he doesn’t return with the…
"Although there was evening brightness showing through the windows of the bunkhouse, inside it was dust". This shows that the light tries to get in but never manages to penetrate the darkness. This is important to the themes of the story because workers' hope for a future farm is just like the light while the cruel reality is like the darkness. Their efforts to realize this plan is just like the light trying to penetrate the darkness, but their dream shatters at last, just like the dust inside.…
At the beginning of the novel, the narrator sets a scene for the reader. The reader is placed in front of a weared, wooden prison door. This door is surrounded by weeds and unpleasant plants. Among these ugly…
4. A Ghost town is a desolate place. A ghost town is sad for multiple reasons. One reason is there is nobody there, its lonely. At one point that town was new, and now it’s nothing. If you were in a ghost town there would be no food, no water, and no new clothes. Nobody could survive in a ghost town. You’d be starving, you’d be dehydrated, you’d be dirty, and you’d be tired. The sun would be the energy out of you, you’d be…
The objects people keep in their homes can tell a story about who they are or were. Each item possessed by the residents of a house is evidence of how these people may have lived. Ted Kooser’s poem “Abandoned Farmhouse” takes the reader on a walkthrough of the remains of a farmhouse where a poor family once lived. In “Abandoned Farmhouse,” Kooser selects seemingly insignificant relics left behind by each family member to illustrate who these people were and how they lived. The picture he paints is a bleak one and reflects the impoverished life which the residents lived within this now lonely and desolate building. The poet leaves it up to the reader to deduce what exactly has transpired in the farmhouse, inviting many interpretations based upon the evidence left behind by the previous residents.…
The first thing the narrator observes as he arrives to his old school friends house is the “vacant and eye-like windows” which unsuspectingly symbolizes to the narrator the depression and void that s/he will find out lives within the rest of the Ushers. When…
In Luis Omar Salinas’s “In a Farmhouse”, speaker is reminiscing in his bedroom about the money he made after a hard day’s work. He is sitting in his bedroom thinking of all the young people of his race and how they are struggling with poverty and starvation. The poem is about hard work, poverty and starvation. Salina’s uses detailed imagery so that the reader can understand the boy’s concern for himself and for his people. The speaker wants the reader to have sympathy for the young and overworked boy.…
4. (a) The descriptive details of the interior of the house that suggest the narrator has entered a realm that is very different from the ordinary world are details such as the narrator felt that inside the house he “breathed an atmosphere of sorrow,” and that there was “irredeemable gloom that hung over and pervaded all.” These details foreshadow that the things that will happen inside the mansion are going to be much more sorrowful and gloomy than things that could ever happen in the ordinary world.…
The picture that the reader had to analyze was about a family being destroyed by misery. The family looked as if they were hungry, poor, and sick. The young children looks like their life was ripped or sucked right out of them. The dreary sky conveyed the deadly atmosphere.…
Edgar Allan Poe, with the use adjectives makes a more effective description of the house than the one presented in the movie. In the literary text, Edgar Allan Poe, creates through a detailed description of the house a gothic mood in the story that provides a gloomy atmosphere in the plot, for instance, the narrator says “a sense of insufferable gloom pervaded my spirit” (Poe 1), therefore, the narrator assumes that the house itself triggers a sense of sadness that invades anyone who steps into it. Furthermore, Edgar Allan Poe meticulously chooses adjectives that are effective enough to get the audience into a murky atmosphere; for example, he describes the house by saying “bleak walls” “vacant eye-like windows” “rank sedges” “white trunks of decayed trees” (1), this description is what sets the gothic theme in the story and its effectiveness is clearly stated by the narrator when he confesses “an utter depression of soul which I can compare to no earthly sensation” (1), therefore, the narrator regards that the central goal of the story is creating a gothic mood.…
Rodden, John. “Understanding Animal Farm: a student casebook to issue, sources, and historical documents.” Westport, CT: Greenwood Press, 1999. Print.…
First of all the poet presents a desolate winter scene at the close of the day. People living nearby had retired indoors. There was frost which was pale as ghost. The inclement weather of the winter still prevailed and the sun has already set on the western horizon. The stems of the pine trees have already reached the sky. Each and every member of the society was in earnest quest of their domestic entertainments. The poet is leant upon the gate. The sharp features of the landscape appeared to be the corpse or dead body of the nineteenth century.…
Wuthering Heights is extraordinary and astonishing in more ways than one. The most outstanding element of this novel is its theme, which is nothing short of a Warfield of conflicts---emotional conflicts, class conflicts, conflicts between conventional codes of morality and unconventional, almost Blakeian morality, conflicts between romance and reality, and conflicts between nature and nurture. The ‘worlds of Heaven and Hell’---to quote one of Emily Brontë’s poems---are ‘centred’ in this novel, in a passionately human experience of both. Wuthering Heights has astonished and baffled…