Other types of vocal music that appeared in the plays include serenades, part-songs, rounds, and catches, all used very much in
imitation of real life in Renaissance England
1. What instruments and musical sounds are common to all or most of the examples?…
The same tune would get caught in your ear, then it was moving you faster or slower; as well as that tune getting louder or softer at appropriate intervals coinciding with the dramas taking place. I also noticed a few woodwind and harp solos during the brighter, happier moments of the performance. The use of castanets and tambourines also caught my eyes and ears. Of course, there was tremendous use of varying the pitch and tempo as well as how loud or soft the music was. Again this is all to enhance how the emotion was conveyed to the audience. Additionally, a piece that stuck out in my head as I left (mainly because I’ve never really noticed or caught on to it until after learning this in one of our class sections) was toward the end when a solo played for a period of time and then that instrument was joined by all the other instruments—playing the same thing—in consistent pleasing…
Rayer, Diane. Sappho 's Lyre: Archaic Lyric and Women Poets of Ancient Greece. Berkeley, CA: University of California Press, 1991. Print.…
Ophelia was a modern day good girl gone bad. She obeyed her father, Polonius, and brother, Laertes’ wishes to stay away from Prince Hamlet while trying to fight for her love for Hamlet and being herself. Throughout the entire play Ophelia is used as pawn in a game of revenge between Hamlet, Polonius, and King Claudius. Polonius and Laertes forbid Ophelia from seeing Hamlet because they believe that he is only using her for sex, yet Polonius uses her to seek information from Hamlet as though she were his personal spy. Although Hamlet loves Ophelia and genuinely cares for her, he sees the danger he and the royal court pose on her. Hamlet wants to get her away from the corruption while putting on an act for King Claudius to prove that he is really mad, and in that attempt, acts as though Ophelia means nothing to him. He treats her in the same manner he treats his mother and all women for that matter. Hamlet sees all women as ignorant and deceitful. Despite Ophelia’s ability to see through Hamlet’s charade, there is still a sense of pain in the words he speaks to her. “Get thee to a nunnery, go. Farewell...To a nunnery, go, and quickly too. Farewell.” (Act 3.1) This had to have been the largest insult to Ophelia ever spoken, but was not meant in that…
When it comes to musical theatre, there are various aspects that come together to make a musical the best show it can be. The best part about musical theatre is the fact that each musical differs from one another. For instance, in the musical “Show Boat” written by Oscar Hammerstein II, the characters speak to one another using spoken dialect and singing. There are very few dance numbers. However, in the musical “Oklahoma!”, also written by Oscar Hammerstein II, there is more dancing involved. No matter how different musicals are from one another, the songs that are incorporated in the shows further the plot in many ways.…
Various characters in William Shakespeare’s Hamlet exhibit aspects of an “outsider”. The obvious choices being Claudius and Hamlet. Claudius appears to be freed from moral restrictions, while Hamlet represents the stereotypical isolated intellectual. However, both of them pale in comparison to the true outsider in the play: Ophelia. Both Claudius and Hamlet are too respected and entangled in the lives of others to be considered the ultimate estranged outsider. Ophelia on the other hand, is constantly pushed to the periphery, despite her significant relationships with many of the main characters. She is also unable to comply with the restrictive and conflicting expectations placed upon her.…
Tragedy is just the beginning of common festivities for the protagonist in the narrative, “The Harp”, written by Carol Shield. With continuous annual commemoration of occasions, isolation may lead anyone into a depressive downfall. The nameless central character begins to feel isolated when she is overwhelmed by the full attention of the entire crowd. In specific, the harp landed on her as she recalls with irony, “The crowd around me applauded. What could they be thinking? That I, wounded on the street, ambushed, had decided to perform an impromptu concert?” (Shields) There were abundant numbers of witnesses; In result, she immediately feels that she had no support throughout the public and continues to isolate herself due to her self loneliness.…
Shakespeare’s influence knows no bounds, affecting numerous individuals looking for inspiration including musicians. A seemingly endless amount of songs have been written honoring or referencing The Bard since his death over 400 years ago. The significance of musical content dealing subtly or heavily with Shakespeare is due to the important nature of accessibility. There is an array of literature written about Shakespeare that attempts to provide some semblance of an explanation for what his works are about and how they can be interpreted. Due to this, Shakespeare has remained relevant for centuries in the academic world as several new theories about his sonnets and/or plays continue to emerge from historians, educators, artists, intellects…
For the play within a play, Shakespeare uses rhymed verse to elevate the language. This was done because Claudius was of a higher status and this raises the severity of the crime.…
Earth is filled with this thing called humans,these humans have feelings. In the story Hamlet by William Shakespeare a character known as Laertes shows his care to another character known as Ophelia.Laertes cares about Ophelia more than any other character as he cares about her future and virginity.…
The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s, which gave musicians such as Pete Seeger popular exposure.[3][4][5] The folk revival more generally as a popular and commercial phenomenon begins with the career of The Weavers, formed in November 1948 by Pete Seeger, Lee Hays, Fred Hellerman, and Ronnie Gilbert of People's Songs, of which Seeger had been president and Hays executive secretary. People's Songs, which disbanded in 1948–49, had been a clearing house for labor movement songs (and in particular, the CIO, which at the time was one of the few if not the only union that was racially integrated), and in 1948 had thrown all its resources to the failed presidential…
When we are talking about the Broadway Musicals, we would think about the theatre music. In the very early 20th Century in America, the theatre music was booming, there were thirty-three legitimate Broadway theatres in New York, over 3,000 professional theatres across the United States, and more was going to be built to meet the audience demand. The famous actor was Al Jolson, a ‘charismatic performer’ in Broadway. His performance saved Warner Bros. from bankruptcy. The Singing Fool which made the gross income of $5.5m, a biggest income only to be exceeded by Gone With The Wind eleven years later.…
William Shakespeare uses different types of imagery to symbolize major themes and characters in his plays. Garden and flower imagery is a major theme in one of his most famous plays, “Hamlet”. Gardens are used to describe the atmosphere, while flowers help us understand the characters, especially Ophelia. Flowers play such a large role in this play and without this imagery we may not have been able to understand some major points discussed.…
<br>But Shakespeare's songs were the most original and spontaneous and they were rich in their impression of Nature. They contained a sort of fresh and rustic realism. Like in Winter's Tale' the image of "when daffodils begin to peer" and the white sheet is…
As I read the poem entitled “On Hearing Her Play the Harp” for the first time, I got surprised of the fact that the poem has only four lines and that the words were pretty simple and easy to understand for first time readers but in fact the poem had a deeper and a more interesting meaning behind it. At my initial reading with no little or no research at all, I visualized everything as a white young pretty woman who comes from a rich and powerful family because of the fact that she is playing a “golden –fretted harp and as she plays through the frets of the notes, I imagined Chou You a young and a handsome rich lad which she likes, enters the room she is in, and to be noticed by this young man she decides to think of a way to attract the eyes of the young Chou Yu, so she decides to use the obvious, which is to attract him by playing wrong notes now and then, and by doing I visualize Chou Yu falling in love in with the beautiful white harp player. Being ignorant or knowledgeable about certain things can really change your perspective about your environment and a lot more like in this poem, as I read the poem a second time with the information I had gathered with my research in Chinese History. My studying about Chinese History changed how I interpreted the poem. Changes like how I must stress on details in order for my readers to understand the setting Chou Yu and the beautiful musician are in. For example I did not describe the setting at all in which the girl was in and how she played the harp and what kind of harp was it and how she attracted in full detail Chou Yu. After giving a little minor tweaks to my interpretation this is it how it starts. A big yet simple wooden house, overlooking the vast farmlands of China with doors similar to that of the Japanese and beautiful wide windows which gives the house the bright and fresh feeling. And in this house’ function room you may find a young woman with skin like white…