Taslima Nasrin once said: “Those religions that are oppressive to women are also against democracy, human rights, and freedom of expression.” This quote also applies to a book called a thousand splendid suns by Khaled hosseini and Deepa Metha’s Film Water. A thousand splendid suns in a book about two women in Afghanistan with an abusive husband. They struggle for survival and for their human rights that have been overlooked by the Taliban and a patriarchal society. Water is a movie about widows living in India. They are sent to the country side to live with other widows supposedly so they can live pure lives. In actuality they are cast aside and denied the basic respect all humans deserve. Ironically, the only way they can make enough money to survive is by committing acts as impure as it gets. They are forced to turn to prostitution. These two stories show that a cultural society’s refusal to change religious practices causes the oppression of women. The characters Mariam, kalyani, and chuyia demonstrate this.
Mariam is a woman living in Afghanistan from the book A Thousand Splendid Suns. Mariam grew up very poor living in a small hut excluded from society. As a child she was taught only to endure and was never given the opportunity to stand up for herself. Mariam was the daughter of a maid that her father Jalil had an affair with and he was very ashamed of this. To solve this “problem” he got rid of her. Jalil married her off to a much older man named Rasheed. Shortly after the start of their marriage, Rasheed rapes her. He justifies it with the Quran. “‘It’s what married people do. It’s what the prophet himself and his wives did. There is no shame.’” (Hosseini, 77). In this quote Rasheed refers to the prophet Muhammad in the Quran. This shows how Rasheed perverted the events Quran, the sacred Islamic text, to justify the rape of a young girl who hadn’t even turned 16. Marrying young girls still in their teens is an old custom that is embedded in