Cited: Milton, John. "Paradise Lost." The Norton Anthology of Poetry. New York: W.W. Norton & Company, 2005 . 276-280.
Cited: Milton, John. "Paradise Lost." The Norton Anthology of Poetry. New York: W.W. Norton & Company, 2005 . 276-280.
In Mary Shelly’s Frankenstein, a well-known horror, we come to gather a more religious background as we progress throughout the novel. Religion becomes apparent to us with the inclusion of a famous poem ‘Paradise Lost’. Paradise Lost was a poem written in 1667 by John Milton and was focused on Christianity and included Greek references. There is also throughout this grand poem a history about genesis, the new and Old Testament. The main story linked to paradise lost is that of which god created Adam.…
In Milton’s poem it speaks of the fall of the rebel angels and the effect that it has on the history of humans. Lucifer revolts against his creator and tries to command power of everything. So Lucifer and his followers are cast out of Heaven and Satan is transformed into something hideous. Satan travels to Earth to tempt Adam and Eve from the Garden of Eden, and this begins man suffering in history. The poem ends with a promise of the redemption of Adam’s descendants through the sacrifice of God’s Son. Compare this to Mary Shelley’s Frankenstein, and you can view a version of God in the novel. Dr. Frankenstein acts as “God” in the story. He becomes the creator of life. At one point in the novel, Victor feels like Satan. He says, “I trod heaven in…
The devil, in literature, is always a catalyst of change for those who encounter him. He is a force working underground, moving against what is widely considered virtuous and good, and it is contact with him that often changes the course of characters lives, and even the world. In Paradise Lost and a book based on it, The Golden Compass, the devil', in both cases, is an advocate for moving away from the control of God and the Church. Where the stories differ, is in the author's intent for these actions. In the former, John Milton uses the devil to display how vanity and pride are the sins that halt us in an opportunity to live blissfully, with and under God. Philip Pullman, in his twist on Paradise Lost, The Golden Compass, claims that the original sin was the first, and most essential, step in human beings claiming their free will. He writes the devil (Lord Asriel) as a manipulative, selfish but ultimately admirable character. One who stands his ground and holds onto his beliefs with an intense passion. Milton's Satan, on the other hand, comes off originally as charming, but slowly presents himself to be weak and unsure, and his ideals are eventually presented as a mask for his insatiable pride. When Milton's Satan tricks Adam and Eve into leaving paradise, they are ultimately worse off. Pullman, on the other hand, shows that human beings are essentially crippled without their right and ability to sin and make choices. It is through their differing portrayals of Satan, that Milton and Pullman present their respective cases on how the original sin caused man to lose paradise and eternal bliss, or find free will.…
In the early modern masterpieces, John Milton was known for his unique ability to write in multiple languages and multiple styles of literature. One of his most famous pieces of literature was Paradise Lost. Milton was a man of deep faith, most specifically the Protestant faith. It was because of his faith that he had no fear of expressing his views on religion and the individual; he did this even when they were not in line with what was the popular view. Today we can see that Milton had a significant influence on the American mindset in his day, in ours, and he will continue to influence those in the future.…
Satan places his pride first and resists obedience to God, thereby taking the alternative that is also available to human beings. But by persisting in his perversion of free will, Satan's sin expands and develops consequences for the human race. His resistance amounts to a claim of autonomy--total self-creation--which, as Milton's readers…
The controlling purpose of this paper is to analyze the transformation of Satan in John Milton’s Paradise Lost. Satan is a very strong and demanding character in all of the series of Paradise Lost , from the beginning to the end. Satan’s main goal throughout the entire poem is to try to corrupt humankind and, unfortunately with his tricky tactics and significant transformation skills he does. At the beginning of the poem Satan is a very kind and majestic angel, by the name of Lucifer that many follow and listen to. In Heaven all angels are equal, loved, happy, and worship only one God. However , Satan wanted it to be the other way around where everyone looked up to him rather than God.…
The situation between Eve and Satan in Paradise Lost remains illustrated in today’s society. Milton stresses on the fact that we do not always have to have some higher power to advise our life decisions. Even today, society wants us to create our own independent thought and acts, it is a topic used in everyday life, while the Church still wants us to follow the light of God. Whether we decide to think YOLO or decide to think…
In Book Nine of Paradise Lost, Milton begins to introduce Satan as the Serpent; however, he manages to draw the audience away from Satan's intentions by presenting his physical beauty. As the Serpent 'Addressed his way' towards Eve, with the desire to cause corruption, he moves 'not with intended wave'. Instead, he towers 'fould above fould a surging Maze', with the colours of 'Verdant Gold'. By giving the Serpent distinct characteristics, he is separating him from the other creatures in the Garden of Eden, therefore drawing Eve's attention to his uniqueness. The repetition of 'fould above fould' gives the sense of an illusion, something which Eve's eyesight is unable to comprehend; which is then reinforced by 'surging Maze', giving this illusion speed and power, causing a greater confusion on Eve's behalf. The vivid description of 'verdant Gold' gives the Serpent a very rich colouring, thus reiterating his importance in the Garden. When Satan finally decides to confront Eve, he becomes 'erect', giving himself a sense of empowerment. This is when Milton's…
lityThe construction of sexuality in Paradise Lost is an intriguing debate amongst scholars and critics to this day. One of the central issues surrounding the discussion of is in relation to pre-lapsarian and post lapsarian sexuality. Some critics such as C.S Lewis and St. Augustine argue against this notion and say that any argument supporting this is entirely hypothetical and to debate further on it would only create false imagery. However the general view supports the concept of there being some presentation of pre and post fall sexuality in the poem. As sexuality is a central aspect of human identity, by writing on pre and post lapsarian sexuality Milton is revealing how the human condition changed with respect to the fall of mankind. In this essay I will address the presentation of sexuality in Paradise Lost and focus in particular on Eve’s role as an object of male desire. The construction of the female is a recurring construction throughout Renaissance Literature and Art. Phallocentric ideology is common in 17th century literature and Eve’s construction places Paradise Lost inside this misogynistic and patriarchal system which was accepted in Milton’s age.…
Milton wrote his opinion of the government and the hypocritical Cromwell at this time of distraught. In "the greatest epic of the English language" (otherwise known as Paradise Lost), he compares the relationship between the almighty and powerful God to the clash between King Charles I and Oliver Cromwell. The king is God, being the ruler of England, and Cromwell is Lucifer, being the power-hungry servant that disobeys and betrays God. This comparison would not happen without the lost paradise in England that occurred after the king was able to regain his throne in his monarch government and society.…
The first w0rds 0f Paradise L0st state that the p0em’s main theme will be “Man’s first Dis0bedience.” Milt0n narrates the st0ry 0f Adam and Eve’s dis0bedience, explains h0w and why it happens, and places the st0ry within the larger c0ntext 0f Satan’s rebelli0n and Jesus’ resurrecti0n. Raphael tells Adam ab0ut Satan’s dis0bedience in an eff0rt t0 give him a firm grasp 0f the threat that Satan and humankind’s dis0bedience p0ses. In essence, Paradise L0stpresents tw0 m0ral paths that 0ne can take after dis0bedience: the d0wnward spiral 0f increasing sin and degradati0n, represented by Satan, and the r0ad t0 redempti0n, represented by Adam and Eve.…
In the book of Genesis 3:1-6, the passage teaches the story of how Satan tempts Eve into causing the act that leads to the “fall of mankind”. Of this biblical account, is where John Milton gained inspiration for the idea of is work, Paradise Lost. Milton’s storyline and broad array of imagery portray the tale in a different light than that told in the Bible. While both accounts of “the fall”, are used to convey the same story and outcome, the two versions share some comparative similarities and many contrasting differences.…
Milton voices the story of Adam and Eve’s disobedience, explaining the occurrences and why it happens. Raphael informs Adam about Satan’s disobedience in an effort to give him a firm grasp of the threat that Satan and humankind’s disobedience poses. Paradise Lost presents two moral paths that one can take after disobedience: the downward spiral of increasing sin , represented by Satan, and the road to redemption, represented by Adam and Eve. While Adam and Eve are the first to disobey God, Satan is the first of all God’s creation to disobey. His decision to rebel comes only from himself—he was not provoked by others.…
The relatable affect the devil in “Paradise Lost” has on the psyche makes him a more effective villain than the three monsters in “Beowulf”. Both epic tales culminate into a battle where the rulers, God and Hrothgar, call upon the heroes, Christ and Beowulf, to defeat the villains, the devil and the monsters. Each epic merges Christian and traditional elements of the tales that include kings, heroes, villains, honor and loyalty. “Beowulf” was not available during the time Milton was writing “Paradise Lost” even so, parallels exist between the characters and the structure of the epics. The similarities between the villains reveal the timeless idea of evil. While the monsters in “Beowulf” encompass these…
In Paradise Lost, the character of Satan is the outright protagonist and epic hero of the story. He is well aware of his situation in Hell and also of the consequences of his revolt against God. Having a keen understanding of the powers of perception and of personal reaction to one's environment he comments to his fellowmen:…