From interviewing various professionals, Razack shows how Paul’s “abject body” is used by settlers to define themselves as respectable (p. 38). During Paul’s encounter with Constable Instant, video surveillance shows that he was dragged back and forth from the police station. Conroy, a volunteer bus driver, believes Paul was acclimated to living outside, and that is his reason for his homelessness. BC Ambulance workers who regularly responds to Paul’s call testified that they often had to induce pain to get a response. Finally, Kevin Low, a correctional officer believed that Paul was intentionally getting arrested because other officers fed him. As we saw from this examples, “bodies on the street are prodded, poked, and dragged”, and through these rituals “they were doing the calculated world of branding, marking the line between modernity and pre-modernity, between subject and object, and staking the claim of white settlers to the land” (p.…
Andy changed Anita in ways she never could knew she could be changed, he helped her realize that music is an important part of her life, and she can’t deny it. That music to her is like air or water, a necessity, something she absolutely needs in her life. There it was, they began to inspire and motivate each other in the name of music. Andy, however felt music in more of a deep personal way, it helped him go through terrible times such as his mother abandoning him years before, or more recently Ardor, the asteroid only days away. While he was facing those tribulations, he then spilled his mind on paper and creating staggering ballads in which he would keep to himself. In conclusion, Andy feels a close connection to music, almost as if it were in a spiritual level. He and Anita both hear and feel music in a different way than others. People might use music to dance, or enjoy it, on the other hand Andy and Anita both connect the music and relate to every single word of the…
Paul used to be a very sensitive and compassionate young man, who used to enjoy and write poetry before the war. However, all of this changed, as his time in the army made him completely detached from his feelings, disenabling him to experience certain feelings and emotions in the future. Paul describes his new self by saying, “We are dead men with no feelings, who are able by some trick, some dangerous magic, to keep on running and keep on killing.” Paul learned to take his mind completely off his feelings and emotions due to the terror of the war, and the shock of several events he witnessed, and insinuates that they have been transformed into ‘killing machines’. This once again demonstrates that Paul is a character of his time, as he demonstrates intense emotional coldness. The first indication that Paul is unable to mourn his comrades is found when Kemmerich’s death brings him down, but he is still not as depressed as one would be with the death of a…
A person that impacted Paul the most was Erik. Ever since Paul was a young boy he was always abused by his brother. One day in his hometown of Houston,Texas Paul was claimed to tell on Erik’s best friend, Castor, who painted on walls. Paul didn’t understand what was going on but Erik was mad. Erik decided to pry open Paul’s eyes and hold his arms back while Castor sprayed white paint into his eyes.…
pressures of the world. The statement the story makes about the relationship of art to life is that music can help an individual vent and…
The title of “man” once carried a sense of pride for Paul D, however, upon comprehending its insinuations, began to obscure his ability to define his own manhood. Before leaving 124, he tells Sethe, “You got two feet, Sethe, not four” (194). These words that reduce Sethe from human to animal seemingly imply that Paul D cannot possibly fathom the thought process that brought Sethe to her “rough choice”. However, Paul D speaks those words as a projection of his own personal fear that he himself exhibits animalistic behavior- a fear that he developed in his time at Sweet Home. In realizing he cannot even claim the title of “man”, he feels diminished to something subhuman and, if not human, what ability does he possess to…
Characterization sets the stage for the beginning of Paul's fatal battle. Paul is described as being different from what most consider a normal boy. A stereotypical boy likes to roll in the mud, ride bicycles, play with toy soldiers, and even participate in rough sports. Paul was quite the opposite. He had a deep appreciation of the fine arts, which is incredibly rare among adolescents. Before work, he went to visit the art gallery. He was not ashamed to go yet "was delighted to find no one in the gallery but the old guard (491)." An empty art gallery was his pass to enjoy and absorb the art with no distractions.…
“Paul entered the faculty room suave and smiling. His clothes were a trifle outgrown and the tan velvet on the collar of his open overcoat was frayed and worn; but for all that there was something of the dandy about him, and he wore an opal pin in his neatly knotted black four-in-hand, and a red carnation in his buttonhole” (P. 160). Even in a situation as serious as getting expelled from school, Paul shows very little empathy for his mistakes. He gives his superiors a bad attitude, snide remarks, and does not seem to have a clear picture of the reality that he may not be let back into school. The only thing that matters to Paul is his life at the theatre.…
Keller, as Paul’s piano teacher, was both a positive and negative influence in Paul’s life. It would be understandable for Paul to feel as if Keller “was bad for him, the worst possible teacher”, judging from the way he later narrates his life. Keller’s mysterious past and renunciation of music ruled his teaching style, subsequently suppressing Paul’s musical passion. In spite of this, it would be more reasonable to believe that Keller’s teaching methods suited Paul at the time of his “youthful arrogance” and kept him grounded. It is only when Keller almost departs Paul’s life entirely, that the adult Paul begins to realise and appreciate Keller for the great “Maestro” he was.…
This case is about Carl’s decision of taking or not steroids to recover his prime physical condition. The ethical question for this problem is: “Should Carl use steroids?” One position for this case is Carl should use steroids. The other position is Carl should not use steroids.…
Being blind and unaware of where he is at and of their intentions there’s a great amount of tension and anticipation in finding out thier purpose. Motifs are musical phrases who are constantly repeated, and the constant repetition as well as the connotation of them music being dramatic is representation of the conflict the narrator feels as he is contrained to whims of the doctors. Its constant pounding is seen to depict a person’s struggle. Though classical music shouldn’t be seen as expressive as the blues to a race’s voice, it leads new imagery of tension and the roots of music, with internal struggle, for example the Fifth being inspired by the pain of loosing hearing and trying to escape the devil’s bearing. The cadences of Beethoven’s Fifth is long encumbered, associated and charged with force and energy! There the history of the music is naturally represented in his head playing at moments where he is at fear for how and why…
I felt pain as I propelled all my strength through the first famous oboe solo of the piece. My embouchure almost gave way until the last note finally arrived, and there I began to quiver. In my sophomore year, I performed Tchaikovsky’s Fourth Symphony with my regional orchestra. This rather short experience reshaped my approach not only of music, but also of my outlook on life.…
Paul was trapped in Misery’s life; he needed to release himself from having one topic to write about. He knew that it was going to get old one day, and he was feeling as if he could not write about anything else unless he got rid of Misery for good. He was trapped into Misery’s life because the obsessive women that followed Misery’s life provided him with fame and money. He wanted to start a new novel in order to free himself from Misery Chastain’s grasp.…
Henry not only demonstrated to us the enlivening force of music but a newfound concept of community. Henry’s story correlated a face with the horror of Alzheimer’s disease. In him, we saw our community and felt…
An eerie silence settled in the room, with only my mind and a few random atoms moving. I waited and sat, sat and waited, but no great thoughts were coming to my head, about Chopin or otherwise. Frankly, I was still focusing on the potato chip scent, seeing as that level of salty concentration was most absolutely unavoidable. I did my best to push these thoughts aside yet again, but this time by singing the great reflecting pool melody in my head. Tears filled my eyes, smearing light across my vision in random splotches of color, and I collapsed into a pathetic…