Within the opening three Acts of Shakespeare’s play, ‘Macbeth’, the relationship between Macbeth and Lady Macbeth is presented as being hugely unusual for the era. In a time when relationships were male-dominated, Lady Macbeth is enabled, through the obvious affection which her husband feels for her, to completely reverse the role which each partner would conventionally be expected to play. In understanding and knowing her husband’s personality and character as completely and wholly as she appears to do, she plays upon his self ambition and manly pride, in order to gain the throne of Scotland; albeit through ‘foul’ means.
The moments at which Shakespeare introduces Macbeth and Lady Macbeth, a clear connection between them both is established. The opening scene of the play introduces the witches as supernatural beings, as this scene concentrates on dark and gothic imagery. By desiring ‘to meet with Macbeth’ associates him with this element of the play, before he has even appeared. The opening scene is in media res, contributing to the mystery of the scene, which links Macbeth with this confusion and transcendental tone. Therefore, when Lady Macbeth is first introduced in Act 1 Scene 5, as she is also associated with dark, supernatural elements, Shakespeare is presenting their connection. There is a sudden establishment of their relationship, Lady Macbeth associates herself with ‘spirits’ and insinuates she would like them to ‘unsex’ her, both of which are direct links to the supernatural. Shakespeare affectively presents an initial strong connection between Macbeth and Lady Macbeth, at the moments they are first introduced into the play, as being perpetually connected through similar atmospheres and elements of the supernatural.
The relationship between Macbeth and Lady Macbeth is presented by Shakespeare as unyielding throughout Acts 1-3, especially