Pianoforte Concert Report Sample

A full audience bustles into Mallory Hall on a rainy December afternoon with anticipation for the thrilling sounds of Nicholas Pappone (violin), Grace Mei-En Ho (cello), and Candace Chien (piano); all of whom are seasoned veterans of The Mallory Concert Series at Rutgers University: Camden. The expectation is obvious with the lack of seats available that the concert will be captivating. As the air turns to a silent empty hum, we are ready. Personally notable movements from the first piece of the program, Piano Trio in C Minor, Op. 2, are Andante and Vivace. Pappone, “lauded as a ‘first rate’ violinist by Maestro Lorin Maazel” and founder of the non-profit Delius Music Academy (Mallory Concert Series Program), executed technique perfection from my hearing. His pianoforte was divine and every note softly washed over the audience with pitch precision. Moving from the second to the third movement there was an exaggeration of sad drama. Even by looking at the instrumentalists faces it was clear this was far from an upbeat movement; as the three instruments meshed together in a gloomy way to match the weather. The end of the selection seemed to involve a
Once the violin enters the music feels so heavy, as if all of us in the audience almost have to hold our breaths from the sadness and tragedy that is being displayed. As the movement goes on the notes get higher, but are not relieved from any seriousness. This is an amazing example of how music can display tone without a single word or explanation. Grace Mei-En Ho, “an active soloist and chamber musician throughout the United States and Asia”, executes excellent technique during the extremely low parts of this movement. This movement was my favorite because it invoked an intense feeling that I could easily see wasn’t only felt by