A shank, is defined as, “a person's leg, especially the part from the knee to the ankle.”(Merriam Webster) here he uses it to describe meat to be consumed. However, Williams implies a meaty, full leg as a description of the dancer’s legs. This is also reflected in Bruegel’s painting which depicts a fuller person dancing. The plumpness of the peasants implies their gluttony and, “that the peasants are engrossed with material things rather than spiritual issues.” (mydailyartdisplay) The poem does not mention the subjects uninterest in the religious symbols. For example, no one pays attention to the image of the Madonna on the flag hanging from the tavern. “In all, the artists shows the duplicity of real life: a kermess (a festival celebrating a saint) has become a mere pretext for people to indulge in their narcissism.” (Barber 273) Bruegel illustrates the peasants imperfections and Williams poem is focused on their contradictions. He leaves out the religious part because, in this
A shank, is defined as, “a person's leg, especially the part from the knee to the ankle.”(Merriam Webster) here he uses it to describe meat to be consumed. However, Williams implies a meaty, full leg as a description of the dancer’s legs. This is also reflected in Bruegel’s painting which depicts a fuller person dancing. The plumpness of the peasants implies their gluttony and, “that the peasants are engrossed with material things rather than spiritual issues.” (mydailyartdisplay) The poem does not mention the subjects uninterest in the religious symbols. For example, no one pays attention to the image of the Madonna on the flag hanging from the tavern. “In all, the artists shows the duplicity of real life: a kermess (a festival celebrating a saint) has become a mere pretext for people to indulge in their narcissism.” (Barber 273) Bruegel illustrates the peasants imperfections and Williams poem is focused on their contradictions. He leaves out the religious part because, in this