9) Michelangelo: Florentine painter, sculptor, and architect. Painted the alter wall of the Sistine Chapel…
Francesco Petrarch: father of humanism. He learned Latin to study classical works, especially those of Cicero. He coined "Dark Ages".…
When contemplating about one of the outstanding Renaissance men, who comes to mind? Does Leonardo Da Vinci come to mind? Unequivocally the man who brought to life the Mona Lisa and designed the first scissors is bound to be a successful man; however his love and dedication to his various types of works is what made Leonardo Da Vinci a true Renaissance man. At the remarkably young age of fourteen Leonardo Da Vinci began to apprentice with a man named Andrea Del Verrocchio. Andrea Del Verrocchio was a painter, sculptor, and goldsmith in Italy during the Italian Renaissance. Andrea Del Verrocchio is well known for his bronze sculpture known as Christ and Saint Thomas located at the Orsanmichele in Florence, Italy according…
Leonardo’s contributions to art during the Renaissance period were just as amazing as his scientific ones. Leonardo da Vinci was a very talented artist; he painted the Mona Lisa, the Last Supper, and many more famous paintings. Because of his understanding of Linear Perspective, integration of light and shadow, and his understanding of anatomy many of his works were famous. Unlike his findings in the field of science he was accepted as a very…
Summary: Sandro Botticelli came from an artisan class, but not much else about his child life or his family is known. He painted many versions of the Adoration of the Magi, and had two paintings that everybody knows him for Primavera and The Birth of Venus. Botticelli has never surpassed his Birth of Venus drawing. Feminine beauty is a huge part of Botticelli’s classical and religious paintings. He was eventually overshadowed by Leonardo making his paintings look old-fashioned. The can create a sense of realism, but is more concerned…
None of Michelangelo's other works ever won him quite the same renown as his fresco in the Sistine Chapel, a building now virtually synonymous with his name. Almost immediately after Michelangelo unveiled it in 1512, the fresco became like an academy for artists, who had since long been using the Sistine Chapel as storehouse of ideas. They treated works of Michelangelo as some kind of a portfolio through which they concocted new ideas. The prestigious style of buon fresco generated intense interest, in particular, among a new generation of painters that pioneered a movement later known as mannerism. Ross King's purpose in writing this book is to detail Michelangelo's magnificent struggle with personal, political, and artistic difficulties during the painting of the Sistine ceiling. He also gives an engaging portrait of society and politics during the early sixteenth century.…
Cosimo de’Medici was born September 27, 1389. At the age of 40, he took over the family business and fortune. Although he “clung to his position as a private citizen”¬¬ 1, it was well known that Cosimo “ruled the city of Florence from behind the scenes.” 1 The government of Florence seemed to be a democracy, but in reality, the Medici family had full control. Giovanni used his wealth “discretely…
It is a truth universally acknowledged that a single man in possession of great fortune must be in want of even greater material objects, such as priceless art and literature. Such are those in the time period of the Italian and Northern Renaissance, which encompassed all detail of religious and political graces of and before its time. Where wealth and trade were among a large array, there lay many opportunities for Italian artist of that time in the 14th to 17th century AD to sell their art and skill. Unfortunately for the Northern Renaissance artists, the potential customer pool was a shallow one and it forced many to travel in search of potential buyers.…
Caravaggio and Michelangelo’s techniques differed dramatically. Most artists working during the Baroque period earned their income through important fresco commands in churches or other public places, Michelangelo being a key example of this. Caravaggio, on the other hand, refused to paint in fresco and only painted oil on canvas for his entire career. Caravaggio focused on chiaroscuro, highlighting the light and dark of his paintings. He chose a dramatic, intense style. Michelangelo’s prior experience as a sculptor, managed to depict three dimensional figures in his artworks. He executed rough preliminary drawings on the canvas before painting in order to be certain of composition and proportions. Nevertheless, Caravaggio also chose to portray realistic figures, only deciding to paint straight onto the canvas rather than initial sketches.…
Michelangelo Di Lodvico Buonarroti Simoni was born on March 6th, 1475 in Caprese, Italy. He was the second born of five boys to his parents, Leonardo di Buonarrota Simoni and Francesca Neri. He died February 18th, 1564 in Rome, Italy, just weeks before his 89th birthday. He was a sculptor, painter, and architect during the Italian Renaissance period and had the nickname "Father and Master of All the Art.” Italian Renaissance was the time of the great revival of art, literature, and learning in Europe beginning in the 14th century and marked the transition from the medieval to the modern world. Although he was a painter and architect and loved doing both of them, he preferred sculpting and mainly used marble on his sculptures.…
caught up with that of Florence.” Artisans in Venice like the Bellini Brothers and others such…
Sant’Elia was born in Como, Lombardy, April 30, 1988 as the son of a barber Luigi Sant’Elia and of mother, Cristina Sant’Elia of whom little has been documented. As well, he had one younger brother, Guido and one older sister, Giuseppina both of which outlived their middle brother who, in 1915, would meet an untimely death in the Battle of the Isonzo during World War I.…
The Medici family controlled the city of Florence during the Renaissance and was part of the common themes theory. The Medici’s were merchants and bankers. This control of a select group of people who wielded commercial power and wealth inevitably led to domination by the wealthiest of the group. They were not completely perfect though, they had the problem of expanding of the banks at a rapid pace. Overall, they were major contributors to the growth of the Renaissance throughout their patronage of the arts and banking.…
Political/Diplomatic: The Italian states of the renaissance Five major powers Milan Venice Florence( the Medici) The Papal states Kingdom of Napals Independent city states Mantua Ferrara Urbino The Role of women Warfare in Italy struggle between France and Spain Invasion and division. The birth of modern diplomacy is a product of the Italian renaissance. Machiavelli and the new statecraft Niccolo Machiavelli (1469-1527) The Prince acquisition, maintenance and expansion of political power Cesare Borgia. It was the era of the “new Monarchies”. In France, Louis XI (d. 1483), the spider, established a centralized state. England’s Henry VII (d. 1509) limited the private armies of the aristocracy, raised taxes, and left more powerful monarchy In Spain Isabella (d. 1504) and Ferdinand (d. 1516) created a professional army and enforced religious uniformity by the conversion and expulsion of Jews and Muslims. The Holy Roman Empire remained weak, but the Hapsburg emperors created strong state of their own through numerous marriages. There were no “new monarchies” in eastern Europe, but Russia’s Ivan II (d. 1505) ended Mongol control. Lastly in 1453 the Ottoman Turks capture Constantinople. The Papal states a dominate city state in Italy . Located in central Italy Somewhat in the political control of the popes . Renaissance Popes attempt to reestablish control over the Papal states. Balance of power was created to prevent aggrandizement of one state or another. Machiavelli’s the prince gave the best expression to political power sought during the Renaissance. Diplomatic post/missions. After Spanish victory lead sent to exile. ”New Monarchies are monarchies that are more powerful build bigger armies centralized authority and take power from the church. Ferdinand and Isabella were married in a dynastic not political marriage Two states maintain their own parliament worked to build strong centralized government for both states created and built the best…
No one wants a stranger in Florence so go away! Is the words that Eleanor of Toledo (1522-1562) might have heard when she arrived in Florence in 1539. The famous image of Eleanor with her son Giovanni is considered a famous portrait today that was created by Bronzino in 1545. Historians debate whether the portrait illustrates her status and the fact she gave birth to many children. Yet, Eleanor brought important family connections from the Spanish which expanded the Medici power. She became a patron through her wealth while shaping the power of the Medici family. Eleanor did not go without criticism from the Florentines. The importance of this essay is to address the dislike the Florentines had against her, the role she played in politics,…