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Possession By Ian Byson Analysis

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Possession By Ian Byson Analysis
Marriage, Family and writing
After Cambridge, Byatt spent a postgraduate year at Bryn Mawr. It was there that she met her first husband, Ian Byatt, a British economist, and subsequently had two children, Antonia and Charles. In 1962, she began teaching part-time at the University of London, and in 1965, at the Central School of Art and Design. Her first novel, The Shadow of a Sun, which she had begun at Cambridge at her seventeenth, published in 1964. These years were extremely busy for Byatt as she attended to her family, kept up her teaching, wrote fiction, and initiated to branch out into literary criticism with Degrees of Freedom: The Novels of Iris Murdoch (1965). She also started writing reviews, doing talks and interviewing for the BBC,
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“I wrote them in a kind of joie de vivre about being a full-time writer.” She describes the collection as “about losses: of possibilities, of parents, of children, of love, of ideas, of …hope.”
Possession: A Romance
Possession: A Romance published in 1990 and came to be Winner of England’s Booker Prize and the literary sensation of the year. Possession stood a best-seller book in England and in America by March 1991, by selling more than 100,000 copies in the United States alone. Warner Brothers credited the film rights in 1991, and the playwright Henry David Hwang (M. Butterfly) has written the screenplay. The novel became a film by the same name in 2002.
While Random House, Byatt’s American publisher, requested her to reduce some of the poetry and place explanation-the novel is 555 pages in hardcover-she rejected. Agreeing, however, to make a trivial, effective change in her depiction of Roland, who in the American version obtains a “smile of amused friendliness” and can arouse “feelings of warmth, and sometimes more, in many women.” The story about which Byatt illuminates with a kind of
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Even though authors are not always the best commentators on their own work, as a literary critic, Byatt stands better than numerous in this regard. Byatt is also as susceptible as the next author to the “interview effect”: an author, forced to make statement on the unavoidable creative procedure, misses or conceals a bit of the reality of

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