Prejudice In Othello

Prejudice is inherently woven into the norm of society targeting particular groups, thus easily influencing one’s self-identity as determined by the stereotypes placed upon them. Shakespeare emphasises the negatory impacts of a prejudiced society on individuals which is extended by Sax to highlight issue of a continual prevalence of racism in the 20th century. The characterisation of Othello, in Shakespeare’s text, as a dark skinned but respected general, accentuates his alienation from the rest of the society despite his position, thus rejecting the ideology of providentialism and the Great Chain of Being at the time. The audience is introduced to Othello as “he” or “him”, unnamed until Act I Scene iii, consequently degrading and distancing him from the rest
In the two texts, Othello’s awareness of the prejudice he is a victim of is the basis of his insecurities enabling Iago and Jago to target such weaknesses through small but effective hints of doubt which ultimately brings down a strong, noble character. When studied in conjunction with one another, the texts enable the contemporary audience reflect on the fallibility of racism and its prevalence in the modern context. Racism, a controversial issue of 20th century London, is depicted by Sax to criticise the widespread presence and acceptance of racism as a common joke. Contrastingly to Shakespeare, Sax’s Othello experiences racism in a more covert manner but still results insecurities of himself. When confronted with opportunities unusual to those of his race, he asks “…is this all about making a clear bold statement, or do you think I’m really the best man?”, questioning his suitability which reinforces his uncertainty in relation to other aspects of his life such as his relationship with