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Black Morocco is divided into two parts. The paired chapters of part 1 consider slavery within the broad Islamic legal and moral framework, on the one hand, and, on the other, within a specifically North African and Moroccan context during the medieval and early modern periods. Chapter 1 examines legal and moral perspectives on slavery in the Qur'an, ḥadīth literature, and Sunni legal traditions. El Hamel argues that interpreters of Islamic law chose to accommodate existing institutions of slavery and concubinage, ignoring the Qur'an's counsel against such practices. In chapter 2, the author thinks broadly about notions of color, descent, and servitude in Arab-Islamic thought of the medieval and early modern periods. El Hamel points out longstanding continuities in North African perceptions of racial difference and hierarchy, so that despite the enslavement of many different groups, and the possibility for the child of a male master and an enslaved woman to inherit or attain a high social status, "blackness" came to be associated with servitude. At the…
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There are aspects in the play where there is shakespeare is very important to show and distinguish some key points along the story.…
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The prince studies the inscriptions on the three caskets and chooses the gold one, which proves to be an incorrect choice. In Venice, Shylock is furious to find that his daughter has run away, but rejoices in the fact that Antonio’s ships are rumored to have been wrecked and that he will soon be able to claim his debt. In Belmont, the prince of Aragon also visits Portia. He, too, studies the caskets carefully, but he picks the silver one, which is also incorrect. Bassanio arrives at Portia’s estate, and they declare their love for one another. Despite Portia’s request that he wait before choosing, Bassanio immediately picks the correct casket, which is made of lead. He and Portia rejoice, and Graziano confesses that he has fallen in love with Nerissa. The couples decide on a double wedding. Portia gives Bassanio a ring as a token of love, and makes him swear that under no circumstances will he part with it. They are joined, unexpectedly, by Lorenzo and Jessica. The celebration, however, is cut short by the news that Antonio has indeed lost his ships, and that he has forfeited his bond to Shylock. Bassanio and Graziano immediately travel to Venice to try and save Antonio’s life. After they leave, Portia tells Nerissa that they will go to Venice disguised as…
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Shakespeare’s play Hamlet (1601) explores Hamlet’s growing insecurities and uncertainties, which stem from his attempt to find certainty and order within his changing transitioning society. Hamlet’s strong moral code and genuine grief at the beginning of the play contrasts with his descent into madness and deceit, as the corruption of the court begin to deteriorate his integrity and eventually lead to his tragic downfall. Throughout the play Shakespeare explores universal notions of authenticity contrasted with duplicity, the struggle between action and inaction and challenging the archetypal tragedian. Through an exploration of these themes, Shakespeare attempts to use the characters in his play to reflect his view on humanity and the shifting, conflicting paradigms between Medieval and Renaissance thinking.…
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In Shakespeare’s drama, bias and self-interest, more than anything else, are the key elements of the conflicting perspectives fabricated in the play. Shakepeare unites the epic legedary stories of nationalism in the history of Julius Caesar to the lyrical stage craft of the theatre. The drama provides a visual realism of the fortitude of men; it highlights the self-acting individual and their ability to supersede values of patriotism and nationalism when self-interest becomes apparent. A key example of this is the character Brutus. The characterisation of Brutus changes throughout the play. So the audience is left with the conflicting perspective of who Brutus is; they are only left with the representation of who he is, only to work out for themselves who the true Brutus is. At the beginning of the play, the audience is shown a character who is noble, good, patriotic, honourable but most of all, proud of Rome. He is also depicted to be loyal. “Brutus has rather be a villager than to repute himself a son of Rome.” This quote from Act 1 scence 2, shows the inital view of Brutus at the start of the play; it portrays him as noble and loyal to Rome. This becomes a motif throughout the play…
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Conflicts are explored and help captivate audiences. The use of Shakespeare’s language also helps to facilitate these themes.…
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Morocco’s pre colonial times, colonial times, and postcolonial times contain very useful information. Europe, Spain, France, and Germany played a big role in the precolonial times of Morocco. In the colonial times, the Treaty of Fes was signed, and Morocco got their independence. Also, today they have a good economy and government set up.…
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One of William Shakespeare’s many attributes as a playwright of the late 16th century was his character development. Shakespeare’s seamless use of indirect characterization sets his works apart from the other playwrights and authors of his time. In Othello, the Shakespearian tragedy about the newlywed Othello and Desdemona, Shakespeare uses character foils to emphasize the strengths and weaknesses of the characters. By making inwardly similar characters seem like polar opposites, Shakespeare truly shows how dynamic each of the characters is.…
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Hamlet encompasses many elements characteristic to the tragedy genre of the Renaissance, including a personal search for revenge, deception, a ghost of the past, the death of several central characters and incest. But unlike most other plays of the Elizabethan era - including those written by William Shakespeare - the main focus is on the character himself, and not solely on the line of action. Prince Hamlet’s thoughts are central throughout the play, and his soliloquies provide the reader/listener with insight into what essentially becomes the tragic turning of events.…
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The tragedy play, one that has captivated many for its effectiveness in understanding the human flaws and how they can lead to eventual downfall is one that Shakespeare’s plays embody. However, there is such a play that contains these elements, yet it manipulates the genre’s conventions for a new effect, the play Othello. This play is centered around a Moorish noble, a soldier who faces conflict regarding his beloved Venetian wife. The themes present in this play are that of trust, jealousy, honesty, love, stereotypes, friendship, and above all deception. Through the use of all of these themes, it sets the stage for how Shakespeare…
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Authors can make discoveries and through their texts present these ideas to an audience who then come out with new understandings and renewed perceptions of their world. Shakespeare had a great understanding of humanism and through the tempest passed on his ideas. He created an island that was a microcosm for society, which amplified all the characters flaws. Through the character of Prospero Shakespeare can illuminate his ideas. This is done through the dramatic action focusing on different characters being on different parts of the island. This dramatic structure of the play is an important vehicle for discovery. The contrived effect of all these characters being on the island together and being effectively unable to escape takes the audience to a position of uncertainty and ambiguity, inviting us to question humanity, ourselves and the world so that we arrive at a deeper understanding of the human condition. Through the discoveries and understandings that Shakespeare had on humanism, by portraying them in a play he invites his audience to make discoveries and thus represents a domino effect.…
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Most stories, whether it be plays, novels, movies, etc. tend to have a similar list of characters: a protagonist, the dynamic “good guy” who is focused upon, several other static “good” characters, and the antagonist, the enemy to the protagonist, whether they are good or bad is debatable. In Shakespeare however, the characters are never that simple, major characters often possess multiple traits and minor characters have distinct and static roles that all piece together to form a story that is rich, dynamic, emotional, and humorous. In Hamlet, the main character for whom the play is named, deals with the mental struggles that come with the realization that his uncle Claudius killed his father and married his mother Gertrude, the plot follows…
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In ‘The Merchant of Venice’ Shakespeare present strong feelings through long speeches as “The Merchant of Venice” is a play, so the audience can see the strong feelings:-…
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Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear. Boston R.G. Badger, 1916. Shakespeare Online. 20 Aug. 2009. Web. 27 Apr. 2014.< http://www.shakespeare-online.com/plays/hamlet/antichamlet.html >.…
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By analyzing William Shakespeare’s development of Othello as a volatile character in his play, Othello, it proves that Shakespeare, in his tragedies, fabricates his characters in a way that makes them incapable of…
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