Myers is a writer, although he hasn't sold anything yet and is currently not writing. He has quit his job to pursue his muse, but with little success. As the story opens he is depressed, " between stories and [feeling] despicable", when his wife calls to invite him to the office Christmas party. But he doesn't want to go, mainly because the textbook publishing company where she works is also his former place of employment. Like Marston in "What Do You Do in San Francisco?" Myers is feeling the guilt of the unemployed, which is intensified by the fact that he moves in a much more upscale setting that is typical of Carver's protagonists. Myers is also reluctant to pay a holiday call on the Morgan, although his wife, Paula, finally convinces him to go. The meeting does turn out to be quite an uncomfortable occasion, however. As they approach the house, Myers narrowly avoids being attacked by the Morgans' dog. Shortly thereafter, following a seemingly inoffensive discussion of writing, the
Myers is a writer, although he hasn't sold anything yet and is currently not writing. He has quit his job to pursue his muse, but with little success. As the story opens he is depressed, " between stories and [feeling] despicable", when his wife calls to invite him to the office Christmas party. But he doesn't want to go, mainly because the textbook publishing company where she works is also his former place of employment. Like Marston in "What Do You Do in San Francisco?" Myers is feeling the guilt of the unemployed, which is intensified by the fact that he moves in a much more upscale setting that is typical of Carver's protagonists. Myers is also reluctant to pay a holiday call on the Morgan, although his wife, Paula, finally convinces him to go. The meeting does turn out to be quite an uncomfortable occasion, however. As they approach the house, Myers narrowly avoids being attacked by the Morgans' dog. Shortly thereafter, following a seemingly inoffensive discussion of writing, the