Preview

Racism in Film

Better Essays
Open Document
Open Document
2719 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Racism in Film
Racism in Film Throughout the history of film in the United States, the depiction of race has only changed slightly. Although, the display of various races in film is pertinent to the specific time period in which the film was made, films have, for the most part, always portrayed white superiority over other races. People of color have traditionally been presented in a negative way (if presented at all) that helps to maintain the status quo where whites are at the top of the social hierarchy. A few common methods are used to elicit the issues and depiction of race, in the films, One Flew Over the Cuckoo’s Nest, Glory, and Bamboozled. According to Stephanie Larson, the three common methods that are used in film to depict racial minorities in a negative light are exclusion and selective exclusion, stereotypes, and system-supportive themes (15). The entertainment industry, as a whole, uses these methods to reinforce subordination. The principle of exclusion is based on the idea that, “television and films without racial diversity promote an inaccurate picture of American society” (15). In short, exclusion in film means that people of color are completely absent. Although, exclusion of racial minorities in film is not an overt form of racism, exclusion is harmful because it keeps the focus away from minorities, and away from their cultural practices and issues. Exclusion is also harmful because it “deprives minority viewers of role models and ignores the contributions of people of color” (16). Selective exclusion occurs through the constraining and misrepresentation of racial minorities in film (16). This prevents people from seeing differences between cultures and causes them to form generalizations of entire groups of people based on their appearance. Another method that reinforces the subordination of racial minorities is stereotypes, which suggests that certain characteristics are universal in all members of a particular racial group (16). Racial stereotypes


Cited: Larson, Stephanie. 2006. Media & Minorities: The Politics of Race in News and Entertainment. Lanham, MA: Roman and Littlefield Publishers, Inc. One Flew Over the Cuckoo’s Nest. DVD. Directed by Milos Forman. 1975; Salem, OR: Fantasy Films, 1975. Glory. DVD. Directed by Edward Zwick. 1989; Los Angeles, CA: Tristar Pictures, 1989. Bamboozled. DVD. Directed by Spike Lee. 2000; New York City, NY: New Line Cinema, 2000.

You May Also Find These Documents Helpful

  • Better Essays

    One Flew Over the Cuckoo 's Nest. Dir. Milos Forman. Perf. Jack Nicholson, Louise Fletcher. Warner Bros. 1975. Film…

    • 912 Words
    • 4 Pages
    Better Essays
  • Powerful Essays

    Spike Lee's film Bamboozled (2000), cinematically stages American mass entertainment's history of discrimination with humiliating minstrel stereotypes which was first brought to film in 1915 by D.W. Griffith's The Birth of a Nation. ‘Blackface' minstrelsy is a disturbing legacy that began as a tradition in the early 1800s on stage, with white actors using burnt corks to darken their skin and "allowing them to portray African-American slaves, usually as lazy, child-like providers of comic relief" (4). This eventually evolved into Vaudeville-style parody shows consisting of songs, dances and comic skits. This tradition represented an accepted way of looking at African-Americans and was the first form of American mass culture that created stereotypes. At the time it also eased white tensions about black America and the images served to justify notions of white superiority and power. Early American cinema relied on racial stereotypes and spectacles and it gained much popularity because it drew heavily from the tropes of vaudeville and minstrel shows, it was an effort to make the film-going experience comfortable. Bamboozled offers itself as a "status check" of the genealogy of American Cinema that begins with Griffith and develops through most of the genre and major technological innovation in film history. Bamboozled clearly compresses the aesthetic and socioeconomic history of racist representation and essentially is a tool to analyze the presence of this history in the present. It also destabilizes the possibility of constructing an "innocent" history, by rooting the film industry in the aesthetics of racism. Minstrelsy is politically charged and its influence has clearly continued to influence film historically and contemporarily. Bamboozled and Birth of a Nation share two common elements of satire and stereotyping.…

    • 3038 Words
    • 13 Pages
    Powerful Essays
  • Better Essays

    HUM3321 Capstone Essay

    • 1631 Words
    • 7 Pages

    Cited: Andre, Judith. "Stereotypes: Conceptual and Normative Considerations." Multicultural Film: An Anthology. By Kathryn Cashin and Lauren Martilli. Spring/Summer 2013 ed. Boston: Pearson Learning Solutions, 2013. 79-83. Print.…

    • 1631 Words
    • 7 Pages
    Better Essays
  • Good Essays

    Movies, TV shows and even children's films have contained aspects of racism and criticism towards the the African American race. They have played a major role in perpetuating this form of oppression and feeding the perception of African Americans as second-class citizens. But why is this? Why are they limited to degrading and exaggerated portrayals? And it all comes down to this.…

    • 623 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Although many African-Americans have won numerous film awards and have been offered an increased amount of three dimensional roles, it still seems many are cast adversely as stereotypes. One of these stereotypes is the magical negro, African-American men who possess special powers only for the purpose of helping white characters with their own problems. For example, in Bruce Almighty, Morgan Freeman plays god that possess divine powers only to assist the white Bruce Nolan played by Jim Carrey. Another guiding African-American stereotype is the “Black Bestfriend.” Catherine Pinkney once told the LA Times that “Historically, people of color have had to play nurturing, rational caretakers of the white lead characters. And studios are just not willing to reverse that role.” Similar to Hispanics, African-Americans also play the role as criminal thugs. The disappointing fact is that little films actually showcase the social reasons why black men tend to commit more criminal activities and end up incarcerated. Black women also continue to be portrayed as brash women who are sassy, rebellious to authority, and have major attitudes. This stereotype is sustained by reality TV shows that portray Black women who indeed act this way. Unfortunately, Black Women say “these depictions have real world consequences in their love lives and careers.” Many of these stereotypes indeed do have real world consequences for those they depict, economically and…

    • 1062 Words
    • 5 Pages
    Good Essays
  • Better Essays

    Elysium Social Inequality

    • 1578 Words
    • 7 Pages

    Eschholz, S., Bufkin, J., and J.Long (2002) “Symbolic Reality Bites: Women and Racial/Ethnic Minorities in Modern Film” in Sociological Spectrum, Vol 22 (3): Pp 299-334.…

    • 1578 Words
    • 7 Pages
    Better Essays
  • Better Essays

    Cuckoos Nest

    • 934 Words
    • 4 Pages

    Both Ken Kesey the author of the novel One Flew Over Cuckoo’s Nest and Milos Forman the director of the film version, expose us to power and control strong nurses and aids acquire. Men carrying problems with women are placed in the mental institution ruled by Nurse Ratched. McMurphy a strong man that carries power in the outside world ends up joining the world of Nurse Ratched for his own problems. “My name is McMurphy, buddies, R.P. McMurphy, and I’m a gambling fool” (Kesey 11). He immediately shows off his confidence as he steps in the ward. In One Flew Over Cuckoo’s Nest, Kesey and Forman focus on how two leaders with different views and gender aim for power and control.…

    • 934 Words
    • 4 Pages
    Better Essays
  • Good Essays

    The ethnic communities outnumber everyone else; however, the major companies produce shows that continue to bring in revenue that makes it harder to lean against them to make shows that apply to different audiences showing Caucasian actors as the lead hero role. Audiences that are of ethnic origin outnumber the minimal ethnicities, which are generally put on productions of film; especially those of a darker tone of skin are not given the accurate representation in character portrayals. Often they are given degrading stereotypes to play from an angry crazy black woman to a proverb speaking old Chinese man, when in reality they are culturally degrading and make audiences believe anyone of an ethnicity that is not Caucasian is supposed to help the hero on their journey to save the day or accomplish their life goal. Creations of Hollywood hold a particular responsibility to holding a standard of American ideal of equality in all things, especially in equality of representation of different among ethnic…

    • 968 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Racism In Film

    • 479 Words
    • 2 Pages

    When analyzing the article The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive, by Mary C Beltran (2005) the text states multiracial has existed within the film for decades, starting back to the gangster movies in the 1920 and 1930’s. Beltran (2005) illustrates on page 3 that the intent of these films was to reinforced dominance of race, ethnicity, and class tied to housing and apparent safety. The race is a social assembly and can create real consequences and effects on certain groups within society and how we depict them. Depending upon the setting of the film and the films intent, the film can illustrate…

    • 479 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Racism in Disney Movies

    • 379 Words
    • 2 Pages

    "Brode emerges [as] a worthy proponent of Disney's democratic vision, wielding a powerful argument for Disney as a forerunner of multicultural values in America. The significance of his work cannot be overstated."…

    • 379 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Social Dichotomy Of Race

    • 1682 Words
    • 7 Pages

    There is a long history of showing negative stereotypes in both film and television. The particular negative images used in television and films...come from a long legacy of social inequality and oppression, and their retelling strengthens these beliefs in white supremacy. By showing the negative stereotypes of minorities, the majority is able to justify the subordination of racial minority groups. When stereotypes are shown to us so regularly, negative images of racial minorities become a part of the collective consciousness.…

    • 1682 Words
    • 7 Pages
    Good Essays
  • Powerful Essays

    Like most industries in the United States, the film industry is dominated and controlled by profit. Throughout history, this greed and desire for monetary gain by Hollywood producers, directors, and screenwriters has often come at the expense of African American males, and how they are portrayed and represented in films. One of the earliest examples of this trend was initiated by W.F. Griffith’s A Birth of A Nation. It later perpetuated with films like The Color Purple, She’s Gotta Have It, and Waiting to Exhale. Through these films, the image of black males in the media has been hyper masculated, and in many ways tarnished. A prime example of this may be demonstrated in Byron Hurt’s Beyond Beats and Rhymes.…

    • 1748 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    In this drama, the film made by Peter Weir was released in 1998. A movie is about a man (Truman Burbank) who is held hostage inside a world that spins around him. Truman Burbank does not know his life is a show on the television that was playing 24/24. Since the time he was born until the time he grows up and married, a thousand cameras were recording the images of him to a millions audience watch like a movie. At age of 30, Truman still no doubt about his perfect life. And he doesn't try to leave his Disneyland because every day people (actors) always remind Truman how dangerous the outside world is. Until he discovers everything around him was set up by the director. He saw everything keep repeating again and again. And when he looks at the picture of his wedding, he saw his wife did the…

    • 1062 Words
    • 5 Pages
    Powerful Essays
  • Better Essays

    Crash. Dir. Paul Haggis. Perf. Don Cheadle and Sandra Bullock. DVD. Lions Gate Films, 2005.…

    • 1898 Words
    • 8 Pages
    Better Essays
  • Better Essays

    Mean Streets. Dir. Martin Scorsese. Perf. Harvey Keitel, Robert De Niro. Warner Bros. Entertainment Inc., 1973. DVD.…

    • 1609 Words
    • 7 Pages
    Better Essays