In the 1970’s and before, most fight scenes were shot from the perspective of the spectators in the crowd. In Raging Bull, in order to make the film seem more realistic, Scorsese demanded that the fights be shot from the perspective of the boxers in the ring using Point of View shots. This allows viewers to see the expressions on the faces of the competitors. To accentuate the blood and sweat that would fly off the boxers in a given match, the DOP effectively used backlighting. Rapid cuts were made throughout many of the fight scenes to portray the intensity and pace of the
In the 1970’s and before, most fight scenes were shot from the perspective of the spectators in the crowd. In Raging Bull, in order to make the film seem more realistic, Scorsese demanded that the fights be shot from the perspective of the boxers in the ring using Point of View shots. This allows viewers to see the expressions on the faces of the competitors. To accentuate the blood and sweat that would fly off the boxers in a given match, the DOP effectively used backlighting. Rapid cuts were made throughout many of the fight scenes to portray the intensity and pace of the