Goffman, A. (2009). On the run: Wanted men in a Philadelphia Ghetto. American Sociological Association, 74(3), 339-357.…
Both Keats and Longfellow were poets during the Romantic period. The two compose poems in which they reflect on their inability to live up to their creative potential and the idea that death could intervene at any moment. Longfellow is disappointed in his failures and sees comfort in the past rather than an uncertain future. Moreover, Keats fears he won’t accomplish all that he wants, but sees possibility and realizes his grievous goals won’t be important after death. While Longfellow’s tone is fearful, Keats’ is appreciative and hopeful about what life has to offer right now. In both poems, the poets use the literary devices parallelism and symbolism, to depict their particular situation in their own lives, while also using diction with characteristics of romantic poetry, reflecting their time period.…
Humanity’s ungraspable longing for a sense of permanence such for beauty, aging and love, acquires tones of both contemplation and despair such seen in The Wild Swans At Coole. This reception of despondency is portrayed in the juxtaposition by the “sore heart” of an “aging poet”, with the “brilliant creatures” whose “hearts have not grown old”. In addition to this physical pain, it is the sense of loss that signifies humanity’s desire for something that is lasting. Yeats clearly admires the nature; especially the “autumn beauty”, as he “counts” his “nineteenth” one. The water imagery throughout described as detailed observations of “brimming” and his careful observations of the swans displays his meditation and appreciation through nature, but then echoes his envy towards their beauty and apparent immortality being different to himself. Yeat’s life develops symbolically as a “woodland path”- eventually becoming metaphorically “dry” and miserable. This portrays a sense of reflection as time passes, looking back, showing that Yeats “unwearied still” holds onto his desire to love, despite already knowing it is unaquirable as it has…
Keats uses this in order to show what he would sacrifice for an eternal love. The word "unrest" also contradicts the idea of being steadfast which shows the internal conflict that the speaker is feeling even though this is the resolution of the poem. Another oxymoron is used in the transition between lines 11 and 12, because while he says he would be in a state of "sweet unrest" he goes on to repeat the word still twice in line 12. This is also to show humans inevitable conflict and reconciling with the relationship our short lives here on earth and eternity. The first time he says "still" the reader gets the sense that, it is a command to be still.…
Both pieces have many examples of descriptive language that paint clear images of what the poets wanted us to see. For Example, "the ambiguous dread in double negative interrogation ("Did you not understand what you did was wrong?")" (Whyte, 40-41) The image of a little boy or girl being scolded by their parents for doing something wrong went into my head; reminding me of the times I dreaded those double negative interrogations from my mom. John Keats's poem was filled with descriptive sentences like, "On the shore of the wide world I stand alone, and think till Love and Fame to nothingness do sink." (Keats, 12-13) There is a dreadful tone to this phrase, like a dying man that learned that things like love and fame are nothing in the end is speaking it.…
However, he begrudgingly admits that this altered state of mind, this daydream, is temporary and is still not good enough to truly perceive the truth; “the fancy cannot cheat so well” (Line 73). A daydream is considered cheating, like Plato’s “falsehood” (389b). Up until the end of “Ode to a Nightingale,” Keats continues to ply on the senses with images of the country side in “meadows…stream…hill-side…valley-glades” and the conspicuous absence of the “music” of the nightingale itself that inspired all of this (Lines 76-80). Rather than ending solely on an appeal to physical senses, Keats leaves off with a question that inspires sensations as an image. “Do I wake or sleep” forces the reader to consider what it is like for them in that liminal moment, and then to consider if it was “a vision, or a waking dream” (Lines 79-80). The reader is not told the truth, but must deduce it for…
In John Keats, "Ode on a Grecian Urn", a boy finds himself entangled in his dream about an ancient carving. Keats uses an assortment of techniques to bring life to the work and make it more enjoyable to read. Using these techniques helps keep the readers attention, while also helping the reader to better relate to the situation.…
Keats' poem is a Shakespearean Sonnet with an elevated tone and is divided into three quatrains and rhyming couplet as opposed to octave and sestet. Continuity is gained by the repetition of the word "when" at the beginning of each quatrain. This builds the tension of the poem describing areas of concern for unfinished tasks. The word "before" in the second line is echoed during the third reinforcing the speaker's list of desired accomplishments before it is too late. This syntax sets the tone to ensure understanding of the speaker's growing fear about time running out.…
Love, Death, Beauty & Fame : Life experiences and feelings of John Keats as they influenced his writing.…
Keats’ careful diction in “Ode on a Grecian Urn” works to effectively and powerfully convey the changing feelings of the speaker. The first three stanzas of the poem, when the speaker is addressing life depicted on the urn and contemplating immortality, are full of joyful imagery and positive language towards the static world of the urn. The urn is “unravished” (1), “leaf-fringed” (5), and “flowery” (4), with the figures on it “fair” (20) and possibly even “gods” (9). Clearly the speaker admires the purity of the imaginary world of the urn, and finds the youth on the urn to be both jubilant and beautiful. The use of nature imagery, with additional descriptions of the art like “happy, happy boughs!” (21) and trees that will “nor ever[...] be bare” (16), really reinforces the speaker’s initial positive attitude to the idealized world. Nature is beautiful, and existence depicted on the urn feels like it is full of budding life, due to the imagery and choice of language.…
John Keats' poem To Autumn is essentially an ode to Autumn and the change of seasons. He was apparently inspired by observing nature; his detailed description of natural occurrences has a pleasant appeal to the readers' senses. Keats also alludes to a certain unpleasantness connected to Autumn, and links it to a time of death. However, Keats' association between stages of Autumn and the process of dying does not take away from the "ode" effect of the poem.…
* Analysis: In the first four lines of the poem we really get a feel of the world that Keats depicts:…
In another letter, Keats says that the 'poetical character... has no self- it is everything and nothing- it has no character and enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated- it has as much delight in…
‘Ode to Autumn’ is perhaps the greatest of nature poems written , and I can only agree when Cedric Watts wrote that it is a `richly resourceful yet alert and unsentimental’. Keats creates a sumptuousness which reflects the beauty he has found in Autumn. The intonation within the first stanza is almost of excitement, as if this beauty has suddenly unleashed itself onto his senses, its effect is more powerful than the drug induced mood in `Nightingale`. The first line introduces us to the personified autumn. The exclamatory phrase `mellow fruitfulness` heightens the syntax tone immediately and prepares the reader for a stanza rich in tactile and visual images which intensify this opening.…
According to Keats, melodies which are unheard are sweeter than those which have been perceived. He believed that the melodies which had been imagined and appealed to the spirit never lost their freshness. Unlike melodies which had been heard, which often became wearisome.…