L: In the beginning of the movie, when Smalls was trying to fit in with the others, the writer of the story tried to make it relatable.…
Alfred Hitchcock's film Rear Window released in 1954 portrays the power shift between the fictional couple, L.B Jeffries and Lisa Freemont. In the beginning of the film the viewers see Lisa as a perfect, high maintenance, wealthy woman who did everything to grasp Jeffries attention and prove to him that she is a worthy wife, but Jeffries believes "she's too perfect, she's too talented, she's too beautiful, she's too sophisticated, she's too everything". Despite Jeffries being in a cast, sitting in a wheelchair secluded in his apartment, Jeffries still holds power as Lisa becomes desperate for his attention and asks "how far does a girl have to go before you notice her?" Jeffries having the power in the relationship is contradictory as he is…
In Rear Window’s opening scene, the camera slowly scans the setting that will surround L.B. Jeffries for the rest of the film. It pans over many apartments, all full of people doing different activities, going on his or her daily routine. This seemingly normal day in the New York City apartment complex gives the audience a sense of familiarity with the setting, and the people that live there. As seen through Jeffries’ rear window, this scene foreshadows the rest of the film; little does the audience know that what seems ordinary, a simple window, actually reveals more: crime.…
Acting emanates from somewhere INSIDE the actor. Studies the role closely, uses imagination, lives the life of the character.…
Rear Window (1954) is an intriguing, brilliant, macabre Hitchcockian visual study of obsessive human curiosity and voyeurism. John Michael Hayes' screenplay was based on Cornell Woolrich's (with pen-name William Irish) original 1942 short story or novelette, It Had to Be Murder.…
The three terms/concepts are: casting, ensemble acting, and method acting. The cast of American Beauty won a Screen Actors Guild Award for an Outstanding Performance by a Cast in a Theatrical Motion Picture in the year 2000, the ensemble acting includes the acting techniques of working together in the film shots, and the casting of the group of actors for the characters’ roles includes: Annette Bening, Wes Bentley, Thora Birch, Chris Cooper, Peter Gallagher, Allison Janney, Kevin Spacey, and Mena Suvari. In fact, some of the actors cast in the roles are not method actors per se, and their acting articulates some of the Stanislavski's System techniques which include the establishment of their own creative personal methods.…
Rear Window (Paramount Pictures 1954) is one of Alfred Hitchcock’s greatest movies. He takes you through mystery and troubles of a relationship in this movie. You are shown what it is like to be stuck in your apartment and nothing to do but watch your neighbors. Also seeing how relationships were during the 1950’s and how Jeff (James Stewart) and Lisa Carol Fremont’s (Grace Kelly) relationship works and how you see who is in charge in the relationship and how their relationship goes from bad to good.…
Alfred Hitchcock’s suspense Rear Window (1954) is focused on Jeff, formally L.B. Jefferies, a cooped up action-shot photographer. After being injured from work, Jeff is left with a full-leg cast and nothing to do but peer at his neighbors (a salesman with a spotty marriage, a dancer, a failing musician, a lonely woman and others) through his back window. Jeff’s girlfriend Lisa Fremont, a model and fashion consultant, and the enthusiastic Stella, Jeff’s home nurse, both assist Jeff by being his ‘feet on the ground’ and doing the actions he cannot due to his immobile condition. Initially, Jeff is watching his neighbors for entertainment to help pass the time, but later Jeff narrows his focus onto Lars Thorwald, the salesman with the dissipating…
In both films, Rear Window and Vertigo, film director Alfred Hitchcock requires audiences to put themselves in the position of voyeur as they witness the action of the film through the eyes of the protagonists. Hitchcock introduces to us the meaning of the word voyeurism and the control it can possess over a person. The main characters in both films are voyeurs’ and get their excitement from invading others’ life. Hitchcock was an English-American film director, writer, and producer, whose distinctive style has influenced several generations of filmmakers. In Rear Window and Vertigo, Jeff and Scottie’s lives are affected by voyeurism. Essentially, both men prefer to live by watching rather than live by doing.…
Last class we viewed the film called Rear Window. The main plot behind this film is the main character, Jefferies, has a broken leg therefore he has to spend 6 weeks in a wheelchair in his apartment. The one form of entertainment he has is to window watch all his neighbors. Jefferies has a girlfriend named Lisa but tells his nurse that he does not want to marry her. After a few weeks Jefferies catches onto his neighbors business. He seems to think one of his neighbors named Thorwall murdered his wife. He gets this perception from weapons being brought into the apartment and a random disappearance of his wife, while some of her belongings stay at the apartment. From here he spends the rest of his time trying to solve this “murder” mystery. He gets help from his girlfriend, a friend and his nurse. Towards the end of the movie the action increases dramatically. Lisa sneaks into Thorwall’s apartment to look for evidence of the murder. While she is in their Thorwall comes back and finds her in his apartment and begins to beat her. The police are then called and Lisa is brought to jail for trespassing. Next Thorwall sneaks into Jefferies apartment and begins to beat him up even though Jefferies is helpless because of his leg. He then pushes him out the window and survives but then breaks his other leg and has to go 6 more weeks’ window watching in his apartment.…
In Rear Window, the protagonist infers that the salesman across the street has killed his wife after spending an inordinate amount of time observing his neighbours for his own pleasure. Unwittingly, the audience gains pleasure from watching others too. When the protagonist is ultimately attacked by the person he is watching, this can be construed as the director attacking the audience's voyeurism, leading to suspense. The fear of the protagonist being attacked creates suspense, since, similarly to the incapacitated protagonist who can only watch, the audience is forced to watch, both being unable to act.…
Rear Window is a 1954 suspense film, which was directed by Alfred Hitchcock. It was written by John Michael Hayes. The film starts James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr. The plot of the film is about a photographer who confined to a wheel chair after being in a racecar accident because he was trying to take a picture. Jeffries is the main character the one confined to a wheel chair is also in love with Lisa Fermont his girlfriend. However, Jeffries does not want to get married because he is afraid that after getting married he would have to give up his photography career and freedom, because he thinks that Lisa Fermont is not physically prepared to travel with him. After being stuck in his apartment for…
Alfred Hitchcock’s Rear Window is a mystery and thriller that leaves audiences in a constant state of suspense. Rear Window opens by showing photographs of high risk environments hanging on a wall of an apartment. This leads one to believe that whoever owns the apartment lives a high risk and adventurous life. However, once the broken camera is shown, it is understood that the main character, L.B Jefferies, is a photographer before it is stated through dialogue in the film.…
I will provide a detailed analysis of the play, and come to an overall conclusion of the play, and my personal views.…
7. Evaluate: Make a judgment about something you read in the Act such as a character, an event, the dialogue, etc.…