Renaissance Art: Linear Perspective

In the seventeenth century Europe, the study of natural sciences has changed significantly. The Renaissance · religious reform has changed the view of the world centered on God, and the development of the age of the great navigation brought about an overwhelming increase in knowledge information volume. The fact that the science of ancient Greece and Arabia was transmitted in the Renaissance era was one factor that advanced science. Science-based methods were incorporated into art as well. Khan Academy (n.d.) described that; What renaissance artists had clearly achieved through the careful observation of nature, including studies of anatomical dissections, was the means to recreate the 3-dimensional physical reality of the human form on two-dimensional surfaces (para.1).
In this writing, I explain the representative example in the relationship between the arts and the growing body of scientific knowledge in each era of Renaissance, Baroque, and Rococo.
In the Renaissance, artists began to use this science, and they succeeded in enhancing the depth feeling and the distance feeling to their work. Brunelleschi, the early Renaissance architect, is said to be the first person to adopt perspective. The paintings of the architectural plan of the Church of Santo Spirito in Florence (1434-82) he wrote are written by the perspective law, and it is understood that it is built faithfully based on it. Masaccio, a painter who taught perspective from Brunelleschi applied the mathematical perspective method in fresco "The Holy Trinity" of his work. In this way, the method of perspective had been spreading to the next