Peter’s Basilica. The art in which followed this commission was the creation of Pieta, “The scene of the Pieta shows the Virgin Mary holding the dead body of Christ after his crucifixion, death, and removal from the cross, but before he was placed in the tomb,” (Italianrenaissance.org). Michelangelo stated that the block of marble he used to produce this sculpture was the most perfect block he ever used. An indicator of its rarity and uniqueness is that the sculpture is multi-figured; this was something that was very rare in that period of time. Furthermore, the proportions of the Virgin’s body is larger that Christ’s body; however, this was caused by the garments on her lap flowing into an abundance of drapery making her appear much larger. It can be examined that the Virgin is experiencing utter sadness and devastation: she seems resigned to what has happened, and becomes enveloped in graceful acceptance. Furthermore, Christ is depicted almost as if he is in a peaceful slumber, and not one who has been bloodied and bruised after hours of torture and suffering. Overall, these two figures are beautiful and idealized, despite their suffering. This reflects the High Renaissance belief in Neo-Platonic ideals in that beauty on earth reflected God’s beauty, so these beautiful figures were echoing the beauty of…