In the vignette-styled novel, The House on Mango Street written by Sandra Cisneros, the vignette titled, “There was an Old Woman She Had So Many Children She Didn’t Know What to Do”, may seem insignificant at first when Cisneros begins to describe a woman with a lot of troubled children, a common scenario in neighborhoods such as Mango Street. Then as we delve deeper into the passage, we begin to realize that the mother, Rosa Vargas, is neglectful, which may not be her fault; she is troubled with the amount of children she has and plagued with the burden of sadness that her husband left her with all of these children, alone and with no money to aid her. These children are starving for attention and by practically raising themselves. At first, members of the community attempt to help with their upbringing but eventually, because of the lack of results, the people become tired of trying and stop caring. They don’t care when the children hurt themselves, even when Angel Vargas falls from a great height and dies, “…and nobody looked up not once the day Angel Vargas learned to fly and dropped from the sky like a sugar donut, just like a falling star, and exploded down to earth without even an ‘Oh’”. Cisneros seems to be playing off the old African saying, “It takes a village to raise a child”. This vignette is included to bear the question, who is to blame for Angel's death? Himself, because he behaved recklessly; his absent father, whose departure no doubt contributed to his lack of respect "for all things living, including [himself]"; his mother, who was not watching him but who at the same time was unable to do so effectively; or his neighbors, for not caring for or about his actions?…
Esperanza Cordero is a twelve year old girl living in poverty. Her family moves to a run-down home on Mango Street in Chicago due to her parents wanting to independently own a house. The story begins when Esperanza is twelve, and continues for a year. Throughout the year, Esperanza and her friends Lucy and Rachel experience physical as well as mental changes. For the first half of the story, the girls are living as “children.” They are vulnerable to the harmful influences of society. Some times when they are susceptible to these influences is when they strut around town in high heels and when Esperanza does not notice the issue when a man kisses her at her job. During the summer time, the girls begin puberty and to become sexually mature. In…
Esperanza is the main character in the book “The House on Mango Street”. She started off as a naive girl that doesn’t know anything about the real world she lives in. As time passes she learns more about herself and the world around her. Another major character in this book is Sally. Sally was born into a harsh family where her father will beats her. Sally was always trapped by her father until one day she marries a man that treats her just like her father but, she doesn’t notices.…
“Don't be afraid to start over.” because Esperanza over came and she came very far. Now she has grown up, she works, and babysits. Esperanza was a brat, now she is very loyal and responsible. She is a character in a book called Esperanza Rising by Pam Munoz Ryan. She has to overcome her momma being sick, working in the fields, and moving…
Her perception is absolutely crushed after the experience at the carnival and is forced to regress back into a vulnerable and powerless child again. In Cisneros' Monkey Garden, Esperanza tries to protect Sally but is emotionally humiliated. In Red Clowns however, it is Esperanza who needs Sally to save her and winds up sexually humiliated. The lack of personal responsibility between women that Esperanza perceives in her world leaves her feeling alienated and deeply confused. Once again, the narrator suffers a crisis of identity and must reevaluate her role as a writer and growing young woman. It is not until after her assault at the carnival does Esperanza drop the notion of being a "beautiful and cruel" woman to eventually accept her identification as a budding…
This quote expresses what Esperanza is feeling right then she is incontestably sad. In addition, she wants a boy around her neck and the wind under her skirt. But instead, she's verbalizing to the trees next to her window. Moreover, Esperanza wants to be somebody she's not being everybody is different and it's fascinating. She wants to be "new and shiny" in other words I assume she wants boys to chase her and she wants to be popular. Finally, she is struggling to be someone she wants to be but…
The House On Mango Street, this is a book with drama, action, sorrow, and some happiness. The book by Sandra Cisnero,. has a lot to do with being a Mexican American. Now I do not know what it's like to be a Mexican American and how back in this time period they were treated, but how the explains not the best.…
As well as Esperanza, she also likes writing, she enjoys writing. “You just remember to keep writing, Esperanza. You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant,” (61). As an adult, Esperanza’s aunt, has more experience than Esperanza has. She knows how important it is for a woman to have freedom. Esperanza didn’t understand what she meant when she was young, but she realized that now. She understood keeping writing can make her happier; can make her feels free just because she can write all the things down that she thinks about.…
In the first vignette “The House on Mango Street,” Esperanza's is not able to accept that her house will always be part of her. When she is confronted by a nun outside of her house, the nun said “‘You live there?’ The way she said it made me feel like nothing. There. I lived there.” (Cisneros 5). The way Esperanza feels embarrassed about looking at her house shows her not accepting the house as part of her. She is ashamed of how the house looks from the outside and disregards how this is the house she is growing up in. On the contrary, In a last vignette “Mango Says Goodbye Sometimes”, Esperanza is able to accept that the house on Mango Street will always be a part of her background. While dreaming about leaving Mango Street, Esperanza's notes that her old neighbors “will not know I have gone away to come back. For the ones I left behind. For the ones who cannot out”(Cisneros 79). Esperanza showing how she would return to Mango Street after leaving to help people she left behind shows her growth into adulthood. This idea displays that Esperanza is accepting her…
“Red Clowns” begins with Esperanza going to a carnival with Sally, her friend who often wants to be independent and does not want others’ attention. She also dislikes other people depending on her. Soon Sally disappears with a boy, while Esperanza patiently waits by the red clowns. Once alone, Esperanza felt extremely vulnerable and boys by the red clowns statues attack her. One boy forced her to kiss him as he yelled out “I love you, Spanish girl”. Esperanza clearly did not want them to attack her like they did. Cinceros states, "I couldn't make them go away. I couldn't do anything but cry. I don't remember. Please don't make me tell it all" (p.100). Esperanza blames Sally and other women in her life for not telling her about the hard parts about growing up. She is upset about what happened with the men and how they took advantage of her. As Esperanza is taken away by the clowns her innocence of childhood gone. She begins to really grow and understand how following the wrong people like Sally, can be very dangerous. We realize this by noticing Sally’s lifestyle and how it affects the way she acts around other people. Throughout the chapter, repetition is an important literary device. Cisneros uses the words liar, lied, and lie to show how Esperanza repeatedly was rethinking her past and future. She was hoping, what books and magazines tell her about growing…
<br>In conclusion, Esperanza makes the ultimate change of becoming independent. As Sandra Cisneros wrote The House on Mango Street, she too further realized her role as an influential woman of her heritage; this realization mirrors Esperanza's journey to womanhood. Esperanza is "alienated from the rest of society in many ways (Hannon 1)." But she uses this alienation to become "strong and inspirational (Hannon 1)." Esperanza is a very strong woman in…
In this book Esperanza gets affected by the community she lives in and the people that live there. “On the avenue a boy on a homemade bicycle calls out: Ladies, lead me me to heaven(pg 41).” In this sentence Esperanza is being influenced by the people in her neighborhood because someone around her is complimenting her based on how she looks. This type of compliment happened because of the neighborhood and the type of vocabulary that they use where she lives. There are many things that affect Esperanza.…
In the chapter “The First Job” Esperanza experiences sexual harassment at her first job, “I thought I would because he was so old and just as I was about to put my lips on his cheek, he grabs my face with both hands and doesn’t let go.”(55) Esperanza was being sweet and nice when she gave him a kiss but the man took over her. Him and other men think they can use woman as objects to get them to do what they want. One of the biggest parts would have to be when Esperanza got raped.It made her see what men think of her and other woman. Esperanza realizes that women have little value in the society she lives in, that men view them as objects for their pleasure or to make their lives…
The biggest decision people make is deciding who they are. In the story The House on Mango Street by Sandra Cisneros, the author creates a conflict of Esperanza’s internal struggle to find her identity, reminding us that the decision of who you are can be life or death. We first learn about this conflict when Esperanza is talking about her name, and how it doesn’t present her as who she is. Throughout the story, Esperanza realizes that people judge her due to the fact that she only shows them the negative aspects of her life. She isn’t being herself and showing people the kind, sweet person she is underneath. As a result of her trouble with identity, Esperanza distances herself from people.…
We see this in almost all of the chapters, Esperanza is struggling to grow into a person she is proud of being. She wishes very much to be someone other than who she is; this is a key part in growing up. In the chapter “The Family of Little Feet” we see Esperanza doing something seen as being a grown up thing. She, along with her sister and her friend, wears high heels around. They feel very grown up in these shows, they find them to be very beautiful. When they are accosted by a “bum man” who asks Rachel for a kiss, they are no longer so keen on the high heeled shoes. After they run home, they toss the shoes into a bush behind their house and never wear them again; none of them caring when they are thrown away. Esperanza is very much in the process of growing up in this story, and perhaps she even wants to grow up. Even as this may be, we see in this chapter that she may be okay with waiting on some grown up…