In the second stanza, he is reminiscing about his childhood and how he felt imprisoned in school (gazed upon the bars). He speaks of a fluttering stranger (line 26), which seems to indicate that not that person is fluttering, but his eyelids are. His eyes are unclosed, because he is daydreaming, but soon he actually falls asleep and thinks about his teacher, who he detests. He describes the anticipation of being able to go outside again only by hearing the bells of the old church-tower, since he is only looking out the window and waiting for the doors to open for anybody to pick him up and take him outside.…
“Start by doing what is necessary, then do what’s possible, and suddenly you are doing what is impossible.”-Francis of Assisi.…
Milton’s batrachian sonnet with a rare meter; iambic and troche. The use of trochee meter in the words “Brought” and “rescued” in lines two and four emphasizes the meaning of the speaker. Iambic pentameter travels throughout all the sonnet but, we come across trochee meter that glorifies the holly and dramatic moment when the speaker’s wife brought back to him like Alcestis. The change of the use of meter opens the reader’s eyes to different directions.…
In the poem he continually discusses that death is rage, a curse, etc. These inevitable fears are first introduced in the first stanza when he states, “Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.” This first stanza opens with saying one should not give into death, and when it comes, it should come with a full life. These ideas are featured once again in the last stanza. The author reveals the true purpose about the poem in this stanza, stating, “And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.” In this stanza he is saying that he believes his father should fight, and that he does not care what his father has to do to fight. Giving up the fight is like being a lawn mower in a field of gardeners, in the end those who fight have a greater…
The author of this poem James Weldon Johnson uses dark and light imagery to contribute to the overall meaning of his poem titled “Sonnet”. Half way into the poem the author writes ”for certain as the raven-winged night is followed by the bright and blushing morn.” but the poet does stay positive as the darkness in the night drains the light from the stars.This poem means that no matter how much darkness is in your life there is always a little bit of light left in you.…
Because the poem is long, it won’t be quoted extensively here, but it is attached at the end of the paper for ease of reference. Instead, the paper will analyze the poetic elements in the work, stanza by stanza. First, because the poem is being read on-line, it’s not possible to say for certain that each stanza is a particular number of lines long. Each of several versions looks different on the screen; that is, there is no pattern to the number of lines in each stanza. However, the stanzas are more like paragraphs in a letter than they are poetic constructions. This is the first stanza, which is quoted in full to give a sense of the entire poem:…
“Impenetrable gloom” surrounds the last six lines of this sonnet as the speaker describes her inner emotions when not with her lover. Her life alone becomes “a narrow room” in which she is miserable and unhappy. The speaker draws within herself, and becomes…
The first twelve lines of the sonnet portray the paradoxical nature of a "good and kind God." Cullen remarks that if God were really good and kind then why did he create the mole as a blind animal? Why should we all die? Why do our best efforts often end in frustration and failure and unhappiness? Cullen answers these rhetorical questions by stating that God's ways are mysterious and can never be fully understood by ordinary human beings. The final couplet, however, reveals his anger and frustration at the plight of talented and sensitive black poets like him who are suppressed and oppressed by the white majority, making him to doubt god's goodness and kindness.…
In the Octave, the speaker expresses her feelings of intimacy she shared with past partners. She reminisces of numerous love affairs from her younger days. The speaker enjoyed her time with multiple men rather than actually being in love with one. She expresses her feelings from an internal perspective, almost as if she is speaking aloud. The speaker begins the poem by saying “What lips my lips have kissed, and where, and why /I have forgotten.”(1-2) She refers to multiple lips as opposed to individual lovers lips. This gives the reader imagery of pleasure and sets the wistful tone of the sonnet. The speaker uses…
Many are religiously inclines. There are those who believe that they have all of God's intentions figured, but can we justify God's actions as our regeneration? Many know that God can do many things. He has restarted humanity by drowning many, he chooses who is faithful, and God created us. We don't need people to justify his actions. But in light of art and creation, John Milton's poem Paradise Lost created a vision of what God does for our world. Although, there are misconceptions in understands God's actions. In fact, God's justification can be confused for our regeneration in ways we can't imagine.…
At first glance, the reader notices that the poem is divided into two parts in order to resemble a conversation. When reading the sonnet for the first time the reader may make the mistake in thinking that what the “echo” replies is an answer to the questions the “voice” asks. But in reality the “echo” isn’t replying to the “voice” but is actually performing its normal job. The “echo” only repeats back the last prominent sounds it hears from the “voice”, this explains why some of the words the “echo’s” category are different. This leaves with the “voice” asking numerous rhetorical questions, because the “echo” never really answers back. This technique enhances the meaning of the sonnet by showing the audience that all the answers we may need lay in the questions that we ask. For example, the “voice” starts the poem by asking “How from emptiness can I make a start?” (Line 1) In response the “echo” replies with the last sound it hears which forms the word “start.” (Line 1) In this case the answer to how the speaker can move from “emptiness” is only if he “starts” which was part of the original question (Line 1). This is also true to all the other questions in the lines following this example. By having the echo reply with words or sounds from the questions posed by the speaker we are able to see how the answers we seek are part of the questions we ask.…
In the first stanza he said that “While I pondered weak and weary” (Line 1). In saying he pondered weak and weary this is negative mood. In a delusional state of mind, he said wearily and he was weak as he mourned the loss of his dear Lenore. After this he was in his study and there was tapping at the door where he opens it and says “Darkness there…
Firstly, Cullen used powerful diction to accentuate his theme in “From the Dark Tower.” The diction is poignant and brings to life the objects and situations in the sonnet through his skilled descriptions. This diction also gave a sad air to the piece, as one should have about slavery; this depressed mood is shown when Cullen compares slavery and black repression to certain flowers that cannot bloom in the light: “And there are buds that cannot bloom at all / In light, but crumple, piteous, and fall” (Cullen ll. 11-12). These two lines show…
In this stanza, Thomas contrasts light and dark imagery; for instance, the term “grave” is countered by “gay,” just as “blind” is contrasted with “sight.”…
This stanza sounds a little didactic to me. The poet clearly warns the reader that a lesson is coming. Romantic poetry is usually more subtle than that, although it does often find human, even spiritual truths in natural events. The abyss of heaven is NOT a word we often see associated with heaven! What does that suggest about his view of heaven? Does he mean that the immeasurably profoundity of heaven will always be an unfathomable chasm to him, totally beyond his kent.…