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One light quote from the story is during the balcony scene when Romeo is talking about Juliet. He says "It is the East and Juliet is the sun" (act II, scene ii, line 4). This motif has more than one meaning. One meaning could possibly be that the sun is very hot and gives off a very strong glow that blocks out all of the stars and the moon, much like Juliet is very beautiful and gives off a glow that makes all other girls disappear as Romeo says. In this motif the tenor would be Juliet, the vehicle would be the sun and the ground would be how their glow blocks out all else.…
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Light Imagery is one of Shakespear's most common conceit in Romeo and Juliet. It is unique in this play because often, night is the time of safety and happiness because they can see each other, while day…
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The word panic comes from the greek word “panikos” which means “pertaining to Pan”. Pan is the greek god of shepherds, flocks, and forests.…
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Shakespeare uses a variety of techniques in Romeo and Juliet in order to enhance the reader’s experience and to communicate messages through his work. For instance, the use of celestial imagery contributes to the tragic tone of the play, because it suggests the inevitable end to the main characters. Notably in the opening of the play, the reader hears: “A pair of star-crossed lovers take their life” (I.Prologue.6). Likewise, before Romeo enters the Capulet party he tells his friends: “I fear, too early; for my mind misgives/ Some consequence, yet hanging in the stars,/ Shall bitterly begin with this sweet date/ Of a despised life, closed in my breast,/ By some vile forfeit of untimely death. (I.iv.116-121). Celestial imagery is a form of author’s craft that uses the…
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In this scene Romeo and Juliet are alone together for the first time before his exile, but as soon as dawn breaks Romeo must leave. Both try to pretend that it is still night, and that the light is actually darkness. "More light and light, more dark and dark our woes."(3.5.36) When the light comes, darkness in the two lovers' heart's set in. This is an example of when Shakespeare switches the imagery. Despite all the positive reference to light in the play, in the end it takes a negative role in this…
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In any case, in Act Two Scene Two, the inclination is through and through more idealistic and Shakespeare utilizes a great deal of light symbolism, especially with how Juliet is depicted in Romeo’s mind. When he first sees her on the overhang, he thinks about her as the sun, a supplier of life. This obviously passes on Romeo's energy for Juliet, a splendid wellspring of light, and it has meanings of bliss and cheer, which stand out significantly from Romeo's past despairing. Besides, Romeo shouts that…
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Even through the darkest times in life, there is always light. Moreover, light brightens to overwhelm the darkness. In Night by Elie Wiesel and Romeo and Juliet by William Shakespeare, a major conflict exists to which people are killed from their violent and inhuman actions. These conflict last for so long, seeming as if there will never be a resolution. However, the motif of light is presented as the thought to never give up for Eliezer, Romeo, and Juliet, in order to reach their goal of freedom or unity.…
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In the play Romeo and Juliet by William Shakespeare, Benvolio is more civilized than Tybalt. To begin, Benvolio is respectful towards his kin. In a conversation with Montague, Benvolio wishes that “[his] noble uncle…so please [himself], step aside” (Shakespeare 1.1.140-153). Benvolio addresses his uncle with the utmost respect and politeness, depicting his civilized nature. Next, Benvolio tries to avoid violence. Upon seeing a fight, Benvolio intervenes to try and “put up [their] swords” (1.1.63). Benvolio’s trying to avoid a conflict demonstrates his civil actions. Unlike Benvolio, Tybalt is uncivilized. First, Tybalt does not respect the wishes of his uncle. Instead of doing as Capulet bids, Tybalt expresses to his “uncle, ’tis a shame” (1.5.82). Rather than politely doing as he is told, Tybalt snaps back rudely to his elder, illustrating his uncivil side. Whereas Benvolio asks his respected uncle to step aside politely, Tybalt disregards Capulet’s wishes and even retorts with a saucy comment, hence displaying his lack of civility in comparison to Benvolio. Moreover, Tybalt welcomes a fight. When given the chance to avoid using violence, Tybalt does not “excuse the injuries/that [Romeo] has done [him]; therefore [turns] and [draws]” (3.1.65-66). Instead of calmly forgiving and forgetting past offences, Tybalt intends to fight with Romeo. Tybalt is being uncivil towards Romeo, as he is trying to start a conflict with him when unnecessary. In contrast to Benvolio, who does his best to avoid fights, Tybalt strives for a conflict, hence proving him the less civil of the two. In conclusion, Benvolio is more respectful and peaceful than Tybalt, proving him to be the more civilized…
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Death always tends to grasp people's attention, especially the deaths of children just like in Romeo and Juliet written by William Shakespeare. For the deaths of both Romeo and Juliet, the Families, Friar Lawrence, and Fate all played a part. First, the Capulet Family pushed Juliet to get married without considering how she felt, as well as Friar Lawrence, who planned for Juliet to fake her own death by giving her the potion. Although, they are only partially to blame, ultimately, Fate is the most to blame for both the children’s deaths due to Romeo and Juliet being destined to be together. Because of this, there is no way they could have avoided this tragic incident.…
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Dawn is a term used in writing when a character has just discovered something or realized what something means. If something is “dawned” on someone the are immediately struck with distress about what may happen in a certain situation. This may have a good impact on someone because they can used what they have found out wisely. In Act lll, Scene 5 of William Shakespeare's The Tragedy of Romeo and Juliet, Juliet has a thought that Romeo may be in trouble when she says, “Thou need’st not to be gone.” (Romeo and Juliet.…
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Despite her excitement, the audience must remember that this play is indeed a tragedy, and in many ways her words presage their tragic end. Her words, “Give me my Romeo, and when I shall die, Take him and cut him out into little stars” (III.ii.23-24) echo those famous words in the prologue of two star-crossed lovers who cannot live without one another. Ultimately, this soliloquy serves two major functions in the play. First and foremost, it calls the audience to the star-crossed nature of the lovers’ relationship. In Romeo’s famous soliloquy outside Juliet’s balcony, he refers to Juliet as the rising Sun, coming to abolish his perpetual night.…
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According to Duff Brenna, “All literature shows us the power of emotion. It is emotion, not reason, which motivates characters in literature.” This is demonstrated in The Tragedy of Romeo and Juliet and Of Mice and Men. Human beings are often driven by their emotions or passions. Sometimes their actions defy sound reason or judgment. However, due to the emotions that the individuals might be experiencing at that time, their initial response is usually impulsive. I agree Duff Brenna in her assessment of how characters in literature are motivated by their raging emotions and not by reason, common sense or wisdom. One cannot merely act upon how they feel, especially if those emotions are negatives. Negatives emotions, if acted upon, will lead to negative actions; whereas positive emotions will leads to positive actions.…
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Romeo, during the balcony scene, claims Juliet as the sun and the stars by saying “ arise fair sun, and kill the envious moon, Who is already sick and pale with grief..,” ( 2.2.5-6). Romeo describes Juliet as the sun that will kill has dark and depressing days of being lonely. He compares himself as the moon hiding and grieving from Rosaline breaking his heart, but Juliet is the opposite of him. She brings happiness to world and to Romeo. Juliet also refers Romeo as the moon, however in a different perspective: “Come gentle night, Come Romeo. Come thou day in night. For thou wilt lie upon the wings of night.” (3.2.17-18). Juliet describes Romeo as her night in a similar way of how Romeo says Juliet is his day. Shakespeare creates this contrast of day and night to complement Romeo and Juliet’s love for…
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The Nurse and Friar Lawrence are admirable characters because they are respectively stronger parental figures to Romeo and Juliet than their actual parents. This seems to be evident because Romeo and Juliet’s parents are nasty to them, so actually pretty much anybody would be considered stronger parental figures. This is also true because both Romeo and Juliet are comfortable talking to The Nurse and Friar Lawrence about anything and they care for Romeo and Juliet as well. And finally, this is accurate because Romeo and Juliet are able to share their secrets with The Nurse and Friar Lawrence; in particular their secret marriage. Thus, the Nurse and Friar Lawrence are stronger parental figures to Romeo and Juliet than their actual parents.…
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with her. Shakespeare's conceits express how deeply passionate Romeo is to be with Juliet through use of light imagery.…
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