Science Fiction: The War Of The Worlds
GENY0002
SESSION 2 2013
Academic Skills Plus
Essay 2
Atwood writes: “What I mean by ‘science fiction’ is those books that descend from H. G. Wells’s The War of the Worlds, which treats of an invasion by tentacled, blood-sucking Martians shot to Earth in metal canisters – things that could not possibly happen – whereas, for me, “speculative fiction” means plots that descend from Jules Verne’s books about submarines and balloon travel and such – things that really could happen but just hadn’t completely happened when the authors wrote the books. I would place my own books in this second category: no Martians.” (From In other worlds, p.6)
With these remarks in mind, is it useful to distinguish between science fiction and speculative …show more content…
It contains many subgenres, such as space opera, cyberpunk, utopia, dystopia, alternative histories and speculative fiction. Although there are an extensive number of subgenres, some writers, as Margaret Atwood, have been trying to differentiate ‘speculative fiction’ from ‘science fiction’. Maybe this wideness of subgenres existing under the genre ‘science fiction’ is exactly the reason why Atwood found interesting to present this differentiation. When we consider science fiction stories, many different things can came up to our mind, such as aliens, intergalactic travel, artificial intelligence and utopian (or dystopian) societies. Considering that, as we can notice in these examples, these topics can differ a lot from each other and it might be understandable that Atwood wanted to differentiate (more than just defining different subgenres) the kind of fiction related to more ‘plausible’ things (things that could really happen, as she says). Definitely, ‘speculative fiction’ books have a completely different scenario from cyberpunk, aliens or space opera works and this could awake a desire to disconnect them in a more significantly manner. However, it is possible to affirm that this distinction between ‘science’ and ‘speculative fiction’ is not useful and that there is no reason for making it, especially considering that speculative fiction is just one more subgenre of science fiction. This thesis will be supported by a number of points presented throughout this essay. Firstly, it will be argued that the subgenre ‘speculative fiction’ fits perfectly into the definitions and requisites related to ‘science fiction’. Secondly, it will be discussed that Atwood’s definition of ‘speculative fiction’ is vague and can change according to interpretation, and also that it can be used to define as speculative fiction other books that she clearly had classified as belonging to ‘science
SESSION 2 2013
Academic Skills Plus
Essay 2
Atwood writes: “What I mean by ‘science fiction’ is those books that descend from H. G. Wells’s The War of the Worlds, which treats of an invasion by tentacled, blood-sucking Martians shot to Earth in metal canisters – things that could not possibly happen – whereas, for me, “speculative fiction” means plots that descend from Jules Verne’s books about submarines and balloon travel and such – things that really could happen but just hadn’t completely happened when the authors wrote the books. I would place my own books in this second category: no Martians.” (From In other worlds, p.6)
With these remarks in mind, is it useful to distinguish between science fiction and speculative …show more content…
It contains many subgenres, such as space opera, cyberpunk, utopia, dystopia, alternative histories and speculative fiction. Although there are an extensive number of subgenres, some writers, as Margaret Atwood, have been trying to differentiate ‘speculative fiction’ from ‘science fiction’. Maybe this wideness of subgenres existing under the genre ‘science fiction’ is exactly the reason why Atwood found interesting to present this differentiation. When we consider science fiction stories, many different things can came up to our mind, such as aliens, intergalactic travel, artificial intelligence and utopian (or dystopian) societies. Considering that, as we can notice in these examples, these topics can differ a lot from each other and it might be understandable that Atwood wanted to differentiate (more than just defining different subgenres) the kind of fiction related to more ‘plausible’ things (things that could really happen, as she says). Definitely, ‘speculative fiction’ books have a completely different scenario from cyberpunk, aliens or space opera works and this could awake a desire to disconnect them in a more significantly manner. However, it is possible to affirm that this distinction between ‘science’ and ‘speculative fiction’ is not useful and that there is no reason for making it, especially considering that speculative fiction is just one more subgenre of science fiction. This thesis will be supported by a number of points presented throughout this essay. Firstly, it will be argued that the subgenre ‘speculative fiction’ fits perfectly into the definitions and requisites related to ‘science fiction’. Secondly, it will be discussed that Atwood’s definition of ‘speculative fiction’ is vague and can change according to interpretation, and also that it can be used to define as speculative fiction other books that she clearly had classified as belonging to ‘science