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sdsdf sfafsdfsdfsdfsdfsdfsthge ebight estet theing eing about ethou is that your eunclear and the titular characters fade into the background. Banks begins his story by setting the scene on the beach in the trailer park, emphasizing the barrenness of the setting and the mundane nature of the day. The main plot point of the story is never explicitly said, yet the reader must uncover what the two characters are speaking about by way of what is omitted. The unborn child is central to the plot in that the child puts into question the status quo of the trailer park and the lives of the two main characters in ways that are obscured by the story itself.
If the unborn child had been born, the status quo – represented in the silent, repressed, and racist lives that those in the trailer park lead – would change forever. Silence would have been impossible given the mixed-race child; one can even conjecture how the characters that Banks mentions at the beginning of the story could break free from repression and come alive to talk at length about the presence of the mixed race child. In Betsy Erkkila’s “Blood, Sex, and Other American Crosses”, the author writes the following about blood, saying that it was “a national fetish, a means of affirming political community, kinship, citizenship, and union at the same time that it became the grounds for exclusion, expulsion, negation, and extermination” (7). Though Erkkila is describing the fetishization of blood in the period of time following the Revolutionary In Betsy Erkkila’s “Blood, Sex, and Other American Crosses”, the author writes the following about blood, saying that it was “a national fetish, a means of affirming political community, kinship, citizenship, and union at the same time that it became the grounds for exclusion, expulsion, negation, and extermination” (7). Though Erkkila is describing the fetishization of blood in the period of time following the Revolutionary War, the fact that mixed blood could be