A Barred Owl portrays a child, afraid of the dark, wind, and noises of the night, and her parent’s comforting her with a little while lie. The girl’s parents convince her that there is nothing to be afraid of, and ease her back to sleep with that small comfort. In lines 10-12, when the narrator illustrates with powerful allusions, the amount of reality that is being hidden from the child, the readers are given an example of how sometimes, knowing the truth can do more damage than good. “The warping night air having brought the boom of an owl’s voice into her darkened room,” (1-2) is an example of the pathetic fallacy Wilbur applies to creatively draw the reader in and convey to the reader what the child fears. The description of the sound of the wind, as if the wind is speaking, lends an eerie tone to the poem at the beginning, which is then suppressed by the parents convincing lie that there is nothing to fear. Although lying can backfire, it can sometimes protect someone from the darker
A Barred Owl portrays a child, afraid of the dark, wind, and noises of the night, and her parent’s comforting her with a little while lie. The girl’s parents convince her that there is nothing to be afraid of, and ease her back to sleep with that small comfort. In lines 10-12, when the narrator illustrates with powerful allusions, the amount of reality that is being hidden from the child, the readers are given an example of how sometimes, knowing the truth can do more damage than good. “The warping night air having brought the boom of an owl’s voice into her darkened room,” (1-2) is an example of the pathetic fallacy Wilbur applies to creatively draw the reader in and convey to the reader what the child fears. The description of the sound of the wind, as if the wind is speaking, lends an eerie tone to the poem at the beginning, which is then suppressed by the parents convincing lie that there is nothing to fear. Although lying can backfire, it can sometimes protect someone from the darker