The implications of her not being a virgin plays on the fear of cuckoldry. As well as challenging the then era’s concepts of how women should act. It contradicts the prescribed performative for the female gender. This can also be used to argue that similar performatives being used in romantic comedies is a hindrance to storytelling, and halts progression of the genre. As well as the real lack of change in the characters in both “Much Ado about Nothing” and the romantic comedies of
The implications of her not being a virgin plays on the fear of cuckoldry. As well as challenging the then era’s concepts of how women should act. It contradicts the prescribed performative for the female gender. This can also be used to argue that similar performatives being used in romantic comedies is a hindrance to storytelling, and halts progression of the genre. As well as the real lack of change in the characters in both “Much Ado about Nothing” and the romantic comedies of