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“Sinners in the Hands of an Angry God” Rhetorical Analysis Essay

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“Sinners in the Hands of an Angry God” Rhetorical Analysis Essay
In the sermon, “Sinners in the Hands of an Angry God,” Jonathan Edwards, with a contemptuous attitude, attempts to provoke a religious revival in the Puritan communities of colonial America using the very powerful motivator of fear. He instills, very literally, the fear of God within the hearts of unconverted people within the church. Edwards renders his audience emotionally unstable with the terrifying body of his sermon, it allows his conclusion of salvation to be the solution of the entire unconverted congregation.
Early on in the sermon, Edwards reveals his target audience, all unconverted men, but never directly refers to them, using words like, “they” and “them”. Those unconverted people would know that Edwards was referring to them, but they maybe wouldn’t feel like the guilty party in the situation. After building up to the climax of a threat against those who have not been converted, suddenly Edwards changes the “they” and “them” for the words “you” and “your” He is now directly targeting his audience, exposing them to a direct blame, throwing them up in the air, making sure that they feel guilty for living another day. After breaking his audience, throwing them into emotionally by destroying all hope of escaping eternal damnation, then opens an escape hatch, allowing the emotional distorted people to walk directly into what he wanted. Through out the sermon, while Edwards is delivering a description of hell, pain, suffering, anything that is unpleasant and frightening, it’s done in all one sentence. The sentences are long and seem never ending, all with the purpose of prolonging the suffering of the audience. Even though the topic is meant to hit the ears rugged and sharp, the prolonged sentence structure is smooth and connected, so the audience doesn’t have time to absorb the subject sentence by sentence, but has to swallow the subject whole which would cause panic and emotional distress.
Edwards uses certain descriptive words that take away

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