Goshua, 3 Surprising though it may be, death often has a prominent position in media in virtually every society. That does include modern American and Canadian society, despite the reputation that they have of being death-denying. From highly popular games like Grand Theft Auto IV or Saint`s Row 3 to huge money-maker movies like Jaws, violence and death seem to have become an integral part of popular culture. Rap music represents 10.1% of all music sales in America while rock, which can also contain various messages promoting drugs and violence, comes in at 32.5%. Tabloids tend to report only extraordinary deaths and catastrophes. Medical shows like Gray`s Anatomy are wildly popular. The underlying factor common to all of these is that they distort the viewer`s perception of death by dramatizing death. Rather than desensitizing viewers to death, these exaggerations commonly tend to do the opposite and paint a wild, violent and frightening picture of death in the minds of people. Thus, the population is socialized to believe that death is a more brutal event than it usually is and inspires the perception that it is some unnatural demon. From the interactionist perspective, death becomes a symbol of all that is fearsome and to be avoided. This stimulates changes in behaviour, leading individuals to actively avoid death and resulting in the sequestering of the elderly and ill that can be observed today in American society, for example. This is grossly different from Mexican society in which media is used to give respect to death and the dead. During the Day of the Dead, the Mexicans paint and build little sculptures to honour the deceased, who are to return on this day. The art is structured to represent the identity of the individual before his death. For example, if one`s uncle was a barber, one would make a skeleton figure of a barber. Death is not construed as an event that is unnatural or out of the ordinary; rather, it is yet another stage in life. There can also be images of the living sharing a head or even entire body with the dead, again emphasizing that birth, life and death are all interconnected. Especially during this time, death is shown everywhere, from ceramic tiles to figurines to paintings and even the icing on cakes. However, unlike in modern American culture, death is not portrayed as harsh or monstrous. For this society, death is a symbol of the progression of nature and ascension to a higher level of spirituality and existence than is possible on earth. When media is used in this way, it aids in socializing children to grow to view death as simply another essence of life.
Goshua, 4 For the many different societies that exist in the world, there are an equivalent number of interpretations of various concepts. Some societies celebrate death and look toward it almost joyously, awaiting the day that one can be freed of earthly constraints and move on toward a higher level of existence, of spiritual nirvana. Others grasp the time they have now and do not wish to ever let it go, until they are forced to by the sheer limits of their humanity. The potent forces of technology, religion and media work together to socialize societal members into viewing death and dying a certain way, and also account for the variations in how these concepts are looked at. The children in these societies may then grow to embrace their humanity or otherwise fear it. One word can do much to hamper an individual from living a full life. That is why, unfortunately, there are so many more that are dead than alive.
Works Cited
Bowron, Craig. "Our Unrealistic Attitudes about Death, through a Doctor’s Eyes." Washington Post. The Washington Post, 17 Feb. 2012. Web. 07 Apr. 2012. <http://www.washingtonpost.com/opinions/our-unrealistic-views-of-death-through-a-doctors-eyes/2012/01/31/gIQAeaHpJR_story.html>.
Bryant, Clifton D. Handbook of Death & Dying. Thousand Oaks, CA: Sage Publications, 2003. Print.
Case, Nicole. "Doctors Find It Hard to Say the Dying Word." CBCnews. CBC/Radio Canada, 17 May 2011. Web. 07 Apr. 2012. <http://www.cbc.ca/news/health/story/2011/05/10/f-milestogo-language-of-dying.html>.
Kalla, Aloke K., and P. C. Joshi. Tribal Health and Medicines. New Delhi: Concept Pub., 2004. Print.
Kearl, Michael C. Endings: A Sociology of Death and Dying. New York: Oxford UP, 1989. Print.
Leming, Michael R., and George E. Dickinson. Understanding Dying, Death, and Bereavement. New York: Holt, Rinehart, and Winston, 1985. Print.
Lobar, Sandra L., JoAnne M. Youngblut, and Dorothy Brooten. "Cross-Cultural Beliefs, Ceremonies, and Rituals Surrounding Death of a Loved One." Medscape News. Jannetti Publications, Inc., 4 June 2006. Web. 5 Apr. 2012. <http://www.medscape.com/viewarticle/525639>.
Seale, Clive. Constructing Death: The Sociology of Dying and Bereavement. Cambridge, England: Cambridge UP, 1998. Print.
Sheehan, Myles. "On Dying Well." America Magazine. Web. 07 Apr. 2012. <http://www.americamagazine.org/content/article.cfm?article_id=753>.
--------------------------------------------
[ 1 ]. Epicurus, “Vatican Sayings”, (Vatican Library, 14th century) 31.
[ 2 ]. Craig Bowron, “Our unrealistic attitudes toward death, through a doctor’s eyes, (Washington Post, 2012), 1.
[ 3 ]. Craig Bowron, “Our unrealistic attitudes toward death, through a doctor’s eyes, (Washington Post, 2012), 2.
[ 4 ]. Craig Bowron, “Our unrealistic attitudes toward death, through a doctor’s eyes, (Washington Post, 2012), 2.
[ 5 ]. Statistics Canada, “2001 Census of Canada”.
[ 6 ]. Clive Seale, “Constructing Death: The Sociology of Dying and Bereavement”, (Cambridge), 57.
[ 7 ]. Michael Leming, “Understanding Death, Dying and Bereavement”, (New York: Holt, Rinehart and Winston), 43.
[ 8 ]. Clifton Bryant, “Handbook of Death and Dying”, (California: Sage Publications), 45.
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