The final type of love, Philos is experienced between Ramu and Rani. It is a Philos love because Ramu and Rani were very good friends from a very young age, strengthening their bond as friends. As the two grew older they eventually grew into having feelings for each other that neither of them could shake. Their love became unconditional in the sense that they tried to defy the father’s orders and maintain their relationship. A male and female who have known and liked each other for a very…
As for the blind prophet Tiresias, who have contributed in half the tragic events regarding Laius, the king of Thebes, and his son Oedipus in Sophocles Oedipus the King , he's unable to avoid tragedies just because, although he is aware of the long run and urges mythical being to listen to the signs disclosed by his art then conform him, as mythical being is “poised on fortune's razor-edge”, he cannot modify the course of events, however solely provide mythical being many hints on a way to act, by lease him absolve to do what he desires.…
Adnan is not guilty because the evidence against him wasn’t strong. Adnan didn’t have a clear motive to kill Hae, wouldn’t have been able to kill Hae in the twenty one minutes, wasn’t with Jay when the Nisha call happened, and didn’t have a fair trial. If there wasn’t enough evidence to put Adnan away, then they shouldn’t have convicted him. The state had said Adnan’s motive for killing Hae was because he was heartbroken and wanted revenge for the pain she had caused him.…
In the reading Euthyphro, it is an argument between Euthyphro (the priest) and Socrates (who is being indicted by another man). This reading is a dialogue between the two men arguing on the same topic, even though they each gave examples, they still can’t figure out the answer but going “around and around” with the original question. Since Euthyphro and Socrates gave a lot of examples during the argument, I was really confused when reading it. I couldn’t organize my thoughts on the reading. However with the example of Euthyphro persecuting his own father for “murdering” a drunk murder, I start to have an idea of what they are arguing about, in my opinion, it is a question with no right answer for. No matter which answer was given, the result…
The play Oedipus The King begins with the king and queen of Thebes, Laius and Jocasta. Laius was warned by an oracle that his own son would kill him and that he would marry his mother, Jocasta. Determined to reverse their fate, Laius pierced and bound his newborn sons feet and sent a servant away with him with strict instructions to leave the child to die on the mountain of Cithaeron. However, the servant felt badly for the infant and gave him to a shepherd who then gave the child to Polybus, king of Corinth, a neighboring realm. Polybus then named the child Oedipus (swollen foot) and raised him as his own son. Oedipus was never told that he was adopted, and when an oracle told him that he would murder his father and marry his mother he fled the city believing that the king and queen of Corinth were his parents. In the course of his travels, he met and killed Laius, thinking that the king and his servants were a band of robbers, and thus unwittingly fulfilled the prophecy.…
The Ancient Greek word, 'Eros', translates into English as "Love". Love is generally viewed by society as an intense feeling of deep affection, however, love does not pertain to any one object or desire. Rather many various forms of love are believed to be in existence. Some of these more common forms entail romantic love, spiritual love, materialistic love, familial love, and sensual love, and many others. Within the Bernadete translation of the Plato's Symposium, a gathering is held between the characters, where the different philosophical dimensions of Eros are pondered and discussed by each character possessing their own opinions in regards.…
What are motifs? Motifs are recurring patterns that help to develop the overall meaning and theme of the text. In classical mythology, which typically refers to Greek and Roman mythology/literature, motifs are significantly prevailing and can be analyzed. Greek and Roman myths are often written as an opposition of current reality. Similarly, this means there are major exaggerations on the basis of creating a good story. Many of the pertaining issues try to stimulate such a strong and emotional response. These responses are so deeply rooted in our culture that the story becomes “real.” Common issues like murder, incest, rape, suicide, etc. all flood mythology. Scholars try to analyze and interpret each meaning, but modern cultural bias has taught us otherwise. For example, when Medea kills her own children, society has taught us to react with disgust and to shy away from her character. However, without cultural…
WWWWWWWWdfdhile each character is trying to adhere to the constitution of a eulogy (except for Socrates, who abandons this method when it is his turn to give a speech) we find that with every narrative, we are presented with a new speech-giving technique; Phaedrus begins his speech with a discussion of Love’s origins and ends it with a retelling of Love’s presence in the lives of historical figures, while Pausanias puts use to categorization—he splits love into two groups: Common Love and Celestial Love—to give his listeners a sort of clear-cut definition of love’s duality. In Eryximachus’ speech, we see for the first time a speaker who relates the nature of Love to some aspects of his own profession, which occurs again in Agathon’s…
Euripides’ play Hippolytus was written in 428 B.C., and ever since it has been regarded as one of the great classical works. In his treatment of the Phaedra myth, Euripides presents Phaedra in a state of mental anguish and exhaustion brought about by her love for Hippolytus, which she strives to conceal. Euripides frames the events of the human characters with the presence of the gods Aphrodite and Artemis. Euripides’ Athenian audience was therefore provided with prior knowledge about Phaedra’s guilty secret, for her ‘passion’ is described as being imposed by the god Aphrodite. Euripides portrays Aphrodite as a terrifying and vindictive deity, unlike the voluptuous woman often depicted in visual art. Her opening monologue conveys an imperious attitude, and she sees the world and its people as her domain. Because Aphrodite is the goddess of love, her perception of the world seems reasonable, since her power extends to the everyday lives of the mortals over whom she rules. This is not, however, the benign emotion that today we might associate with the word…
Many of the characters in William Shakespeare’s “Romeo and Juliet” can be called responsible for the lovers’ deaths (including themselves). Ultimately, one of the overriding themes of the story: fate, is the reason for their deaths. Throughout the story, it would be inevitable, it would be their fate that Romeo and Juliet both take their own lives. This is established in the prologue of the play, therefore no matter how the characters act to try and situation around, fate is what causes their death in the end.…
Sophocles’s use of both plot and character within his classic tragedy “Oedipus the King” portray the religious and ethical views of the Classical period of Ancient Greece to such an extent that Knox goes so far as to say that “the audience which watched Oedipus in the theatre of Dionysus was watching itself.” Marlowe uses similar tools of character construction and plot in “Dr Faustus” to reflect the beliefs and moral attitudes held in Elizabethan England. The playwrights both use the conceptions of their protagonists to present contemporary beliefs; for example, the initial portrayal of the characters of Oedipus and Dr Faustus demonstrate ideological characteristics of a man within their respective contexts. On the other hand, with the…
Central Idea: Much of our problem in the modern world is a problem of love in all its aspects - Eros, Libido, Agape, Philia.…
Socrates is known as the lover of wisdom and the lover of beauty. His speech is a response to Agathon who comically states that love is beautiful and young, the opposite of Socrates. Socrates inquires is love considered to be a love of something or of nothing? He compares that to how a father is a father to his children and a brother is a brother to his siblings. Socrates expresses that love’s desire suggests that one does not own what he or she loves. Socrates further explains this by giving the example of a healthy man having the desire to remain healthy. One’s desire for things is for the future. The desire rests in the preservation and not the lack thereof. This statement of love being a love of something shows that there is a connection…
Throughout the course of the speech, Socrates describes love based upon an interaction with a woman named Diotima. After explaining to Socrates that good and bad and beautiful and ugly are more of a grey concept as opposed to a clear cut concept, she tells Socrates that love is a “great spirit” whose purpose is to fill the unknown space between humans and gods. Diotima then tells Socrates of the origin of Love, following Aphrodite’s birth, and how it relates to Love’s parents, the Penia, the embodiment of poverty, and Poros, the cunning and beautiful son of Metis. Additionally, she explains love as a cycle of continuous birth and death. She explains to Socrates that love is neither wise, nor ignorant which further illustrates her claim of love’s equivocalness.…
In Sophocles’s tragedy Antigone, conflicting ideas about loyalty is brought up. Between Creon and Antigone, who is more loyal and what is their outlook of loyalty? To me Antigone is more loyal than Creon, Antigone is a stubborn child of Oedipus. Antigone doesn’t believe that Creon in as strong enough to stand in her way. She believes that both of her brothers deserved a soldier's funeral. Antigone’s loyalty did preserved her life like we all hoped, it ended her life at a young age.…