As a child, Stanislavski was exposed to the rich cultural life of his family.[9] His interests included the circus, the ballet, and puppetry.[10] His father, Sergei Vladimirovich Alekseyev, was elected head of the merchant class in Moscow (one of the most important and influential positions in the city) in 1877; that same year, he had a fully equipped theatre on his estate at Liubimovka built for the entertainment of his family and friends, providing a forum for Stanislavski 's adolescent theatrical impulses.[11] Stanislavski started, after his debut performance there, what would become a life-long series of notebooks filled with critical observations on his acting, aphorisms, and problems.[12] It was from this habit of self-analysis and critique that Stanislavski 's system later emerged.[13] The family 's second theatre was added in 1881 to their mansion at Red Gates, on Sadovaya Street in Moscow (where Stanislavski lived from 1863 to 1903); their house became a focus for the artistic and cultural life of the city.[14]
Bibliography: Wikepedia