Stanislavski's Main Idea Behind Given Circumstances

Stanislavski declared that "what is important for me is not the truth outside myself, but the truth in myself"(from Stanislavski's method, that’s the sentence he mentioned.), what means that all which is staged must be true. He recognized that this idea was a potential problem because any act is essentially a lie. Thus he declared that all the actors should be also faithful to themselves as possible while playing a role. The idea behind Given Circumstances is that the actors accept that, with the scenario of a play, they receive a set of which one they have to adhere to create the scenario. Circumstances can relate to the character or to the game itself, and they include things as age, sex, social class and period of game, the context and
When Circumstances were realized, Stanislavski suggested that the actors use an aspect bound(connected) by its theory, conscript " Magic If ", to handle them. ' Magic If ' is a technique where the actor settles " considering circumstances already decided by the playwright, if I was this character, and I was in this situation, how I would react? ". One of the most important aspects of the method of Stanislavski is his idea which any character in any play has a "super-objective" through the action; a purpose or a driving strength which supports through the play. Stanislavski taught that this “super-objective” has to stay in mind of every actor throughout their rehearsal and throughout their performance, and that even if he cannot be expressed or even obvious, they have to take care of the search and the discovery. When it was carried out, he considered that the script could be then decomposed into smaller objectives, which would change several times throughout the room that the thorough intrigue. Every objective has to be a verb, to be a "active