Stereotypes As Depicted In The Movie 'Inside Out'

1. The number of people involved in the creation of “Inside Out” (2015) is approximately 500. Because of its complex nature, animated movies require a large number of personnel, from the director, to the storytellers, the producers and the animation team.

2. I would consider core personnel the director, the voice actors, the writers and the producers. That is because these are the people who have a direct influence on the film, they’re the decision-makers, they shape the product and make it what it is. Furthermore, the core personnel are also the ones known to the general public, for instance, famous actress Amy Poehler or director Pete Docter.
On the other hand, the support personnel would be composed of animators, artists and editors. They
Marx, Weber and Durkheim would undoubtedly have three very different views on this division of labour based on their reflection of society.
For instance, Marx would see this division as a societal conflict, the core personnel are the oppressor, they usually belong to higher classes, they hold a position of power and make more profit from the product than the support personnel. The latter, in fact, tends to come from the lower classes, they are the oppressed, although greater in number, their labour is exploited, they can be easily replaced and are paid much less. This division is the natural result of capitalism, Marx would claim that the only solution to this inequality is the revolution.
Weber, whose view, albeit different, is derived from Marx’s works, would also consider this division the result of capitalism. However, according to him, this is only the most rational method of working in a modern society such as ours. As a matter of fact, the sociologist believed that in non-traditional societies humans will always strive for efficiency, in this case, the division between core personnel and support personnel is the most effective method of dividing labour. Both of these groups are composed of people who have very specialized tasks, they are strangers, but work together to create the best product possible. Nevertheless, Weber was a pessimist, he believed that forsaking our emotions for rationality would create a “disenchantment with the
The New York Times writer A. O. Scott believes “Inside Out” belongs to different genres, such as: family, comedy, drama, fantasy and adventure. According to him, this film indeed fulfills most genre conventions. It is an animated cartoon directed at children, the story is centered around Riley and her struggles as a child, with school and with her family, as well. A. O. Scott also comments on the fantasy nature of this animated film, the main characters are purely abstract concepts, emotions, and a great part of the movie is set in the brain of a child. The comedy part doesn’t go unnoticed either, to cite the writer, “Inside Out” offers many “witty inventions and sharp insights”, it reminds you of strange dreams, childhood friends and