Children weren’t as interested in fantasies and fairytales as they once were. Viewers, previously limited to American kids, expanded internationally into children and adolescents alike with various racial and ethnical backgrounds. As it experienced immense success and popularity, Disney had to make room for immense restructuring of its content. Then came the rise of multi-cultural, progressive characters such as Mulan, Jasmine, Merida, Kuzco, Mowgli and Tiana, that mirrored not only the diversity of English-speaking spectators, but also the evolution of societal gender roles. Moreover, Disney started increasingly releasing live-action movies, sitcoms, and animated TV shows to appeal and relate to their young audience, and has since abandoned the production of animated feature
Children weren’t as interested in fantasies and fairytales as they once were. Viewers, previously limited to American kids, expanded internationally into children and adolescents alike with various racial and ethnical backgrounds. As it experienced immense success and popularity, Disney had to make room for immense restructuring of its content. Then came the rise of multi-cultural, progressive characters such as Mulan, Jasmine, Merida, Kuzco, Mowgli and Tiana, that mirrored not only the diversity of English-speaking spectators, but also the evolution of societal gender roles. Moreover, Disney started increasingly releasing live-action movies, sitcoms, and animated TV shows to appeal and relate to their young audience, and has since abandoned the production of animated feature