He made it sound like Spielberg took pride in doing things he really didn't have to and played a part in every decision that needed to be made such as visualizing the film via storyboards, and deciding how to narrate the story to the audience, to deciding camera movement and placement. At one point, Buckland simplifies the definition of a blockbuster to roughly a paragraph stating it dates back to when studios controlled every aspect of a film from production to distribution. Essentially coming down to how much money is spent on a film, and how much it makes. Buckland believes that Speilberg should be praised not only for his most artistic films like Shindlers List, The Color Purple, Amistad, and Munich, but also for the huge blockbuster films such as Jurassic Park, Indiana Jones, and that they are shining statments of
He made it sound like Spielberg took pride in doing things he really didn't have to and played a part in every decision that needed to be made such as visualizing the film via storyboards, and deciding how to narrate the story to the audience, to deciding camera movement and placement. At one point, Buckland simplifies the definition of a blockbuster to roughly a paragraph stating it dates back to when studios controlled every aspect of a film from production to distribution. Essentially coming down to how much money is spent on a film, and how much it makes. Buckland believes that Speilberg should be praised not only for his most artistic films like Shindlers List, The Color Purple, Amistad, and Munich, but also for the huge blockbuster films such as Jurassic Park, Indiana Jones, and that they are shining statments of