situation was strange and unordinary, but it was in fact quite reasonable to the women of her time. Chopin utilized the window and its unfolding opportunities to describe Louise’s newfound and idealistic life.
She used the upcoming clouds to delineate her imminent danger, which in her case, her death and rejection to the realization of her circumstance. Her husband plays a predominant role to her oppression. There is no solid evidence to provide a factual conclusion to why she was in that situation, but an assumption can be made that he was not very lenient as a husband in her case. Though it was stated that he did very much love her, she did not seem to express the same intimacy in return, in which led to the conclusion that it might have been her own oppression after
all. Louise Mallard is given the characteristics of being young, fair and slender, in which would render us to thinking that she is a well composed woman of her time. She shows a great disconnection to her actual reality and her introverted self. Her feelings change from the beginning to the end. She experiences two opposing emotions of having a “monstrous joy” to experiencing massive shock. Her reaction to Brentley’s return was another ironic scenario. She was said to die from the over joy that kills, but little did they know it was from the feeling of shock and depression over her loss of freedom.