What first catches the viewer 's eyes are the vivid colors used in the painting. Ultimately what jumps out the most is the man on the right 's red robe. The artist intended this for a reason, discussed later. The room where the men are standing is front lit. Also the atmosphere is not hazy. There is no hint of sffumato. It is very much unlike the Romantic works produced earlier in the century. Rather the edges of the figures and of other objects in the picture plane are clearly defined. The artist "renders every object in the painting with meticulous clarity" (Smith 1). To see this work in person is really quite impressive. The painter has achieved a great sense of depth in the painting, as well as a strikingly realistic quality. The picture taken for this paper from the Albright-Knox 's web page simply does not do this work justice. One 's experience of standing in front of this painting is that of awe. The artist has depicted everything in the scene so realistically, and yet has made it look better than it probably did in real life. Everything in the painting has a rich, glowing quality about it.…
In the article “The sculptures of Alacahoyuk: A key to religious symbolism in Hittite representational art”, a Professor of Hittitology, Piotr Taracha, proposes that Alacahoyuk was one of The Hittites holy cities. According to Piotr Taracha, Alacahoyuk is located in Northern Anatolia just above the capital, Hattusa. The significance of the site Alacahoyuk is analyzed for its architectural composition that is associated with Hittite religion. The sculpture, The Sphinx Gate is structures as an entry way into the remains of an important Hittite center, Alacahoyuk. The towers depict images of two figures of a royal status said to be the sun-goddess and the tutelary God (page111). Along the brick walls are scenes of cult and hunting the role the pair play in religion and sustenance. (Page 110).His interpretations concluded from the Sphinx Gate show depictions of hunting scenes that is compared to other Hittite art. In these scenes we see the Sun…
The sculptures' color is natural granodiorite. The detail level is high, which makes the sculpture appear more realistic. They have carved the details out and worked with them to make them as smooth as possible. It is detailed; you can see the female shapes in the breasts and in the hip area. When you go down to the detail level, especially the face and hands are prominent. The head is a lioness head and the eyes are small and intense. It is easily to spot that there is lionesses’ head, because of the high detail level. You can see all the shapes, from the ears to the mouth. When you the face on profile you can see that it looks very lifelike. Her hand also looks lifelike, together with her feet. The knees are prominent an easily noticeable through the clothes. The artist have made a sculpture that has several female attributes such as her sitting position, with a straight back and narrow shoulders. Whereas her hips are wider than they would have been on a man. Also her torso are seen as thinner than on an average…
For example, the statue of Khafre sits lifeless and majestic on his throne “flanked by lions” (3), which stabilizes and connects him to the original stone, out of which it is carved. He is eternally unmoving and has an expressionless face. This statue of Khafre was created as a vessel for his Ka and presents…
On the fifth floor of the Denver Art Museum’s North Building, four panels of a sarcophagus lay dismembered, mounted upon the wall. The sarcophagus is native to China, hailing from era of the Han dynasty from 500-534. Though unfortunately dismantled, the panels remain in exceptional condition especially being made of out of a single block of limestone. As might be expected, the sarcophagus is of reasonable size, likely to encase an entire human body and then some additional items. The most captivating features of the sarcophagus, however, are the two animals dominating the two largest panels: a tiger and a dragon. The subjects illustrated unto the pieces share similar enchanted aspects but they undoubtedly demonstrate two discrete…
b. Stele of Naram- Sin is from an artist of Mesopotamia. The artwork shows order and security from the ruler Naram- Sin…
The Silver plate of the Battle of David and Goliath is from the Byzantine art period. The Byzantine plate was created in 629 to 630. Within the Byzantine Empire, it shared Roman legal and political traditions, customary Greek culture, and Christianity. This stunning plate is the major plate of the set of nine; it displays the scene of the King David’s life in the Old Testament. The artist interpretation will be examined. This study of plate will trace the subject matter of iconography, function and composition of the work and style.…
Nebuchadnezzar was also one of the most renowned builders in the Near East. He made Babylon the most beautiful city in the region. Around the city, he built walls, which formed a square. The walls were 9 miles long, and further after the walls there was a moat to keep invaders out. Herodotus said that the wall was 320 feet high, with 250 watchtowers, 80 feet thick, and had 100 bronze gates. He also built the magnificent Ishtar Gate, which was a double gate at the south end of the processional way. It was covered with animal structures and blue glazed bricks. Not only did he build Ishtar 's Gate, which made visitors stop in awe, but he also built himself a great palace. He paved the street sidewalks with small red stone slabs, and added a personal message on the edge of each one.…
The lion is to the right of Ashurbanipal standing on his two hind legs in an attack stance. The lion is perhaps just as detailed as Ashurbanipal. One first notice how detailed the lions main is and how realistic the face is…
The statue of the Lion, as described by Herodotus, was commissioned specifically to be given in honor of Apollo. It’s unlikely it would have been created otherwise. While the lion may have been damaged in a fire, many other pieces of art have managed to survive to the contemporary world. Such as the Dreros Apollo, a statue of the god Apollo which was found with two female figures, likely Leto and Artemis. This statue dedicated in honor of the god, is important to our understanding of the development and production of Greek statuary art as it is the only known example of a technique called sphyrelaton work.1 Another object left behind as a result of offerings to the Gods, is the Mantiklos figurine, also dedicated in honor of the god Apollo. This figurine shows key traits of Geometric art, however, it also reflects changes and developments in the style, as it’s more rounded out in the shoulders, chest, thighs, and buttocks.2 It also features an inscription stating “Mantiklos dedicated me to the Far-Darter of the silver bow, as part of his tithe, do thou, Phoebos, grant him gracious recompense.”3 As the texts pointed out, the offerings were given in exchange for the God’s favor, just as this inscription…
But what made this Assyrian relief stand out? It was a small detail, a lioness to be exact. The hunt depicted did not take place in the wild but in a controlled environment, ensuring the king would be victorious. The king is in his chariot with his attendants. He is throwing a spear into a lion, which already has several fatal wounds on its body.…
The Gate of Ishtar was one of the greatest, and monumental architectural treasure ever constructed during the Neo-Babylonian and Persian period. It was even considered one of the seven wonders in the world. The history behind this gate is very rich and popular. It was built during the time of Nebuchadnezzar II, who ordered the building of this gate. The time of this finished its construction was around 575 BCE. According to where the gate was located, it guarded the northern part of Babylon, running through the Processional Way. During the time, the gate was an absolute phenomenon. It ran approximately 40 feet high and 30 feet width, it also had a double arch gate. The reason behind the double arch gate was for it to be spaced by an interior passage. The masonry during the time of construction of the gate was very advanced, but not long lasting. The gate consisted of mud bricks, since the whole city of Babylon used mud bricks. Covering the mud bricks were blue glazed led, or copper, that gave the bricks an illuminating dark blue color. During that time, they used this process for all the important monuments in Babylon.…
“Who peynted the leon, tel me who?” (The Wife of Bath Prologue line 857).This quote is describing how the lion is metaphorically representing a person in this case women and the who men. Men are the individuals who painted women into their image of how they want them to be. This is what exactly The Wife of Bath is trying to do. According to Mary Carruthers' article…
My personal favorite constellation is Leo Minor, or "The Lesser Lion". It's genitive name is "Leonis Minoris", and it's short form is "LMi". I have chosen this constellation because it embodies my favorite animal; the lion. There are six stars in this constellation, with four of them being unnamed. This spring constellation's coordinates are Right Ascension 10h, Declination +35°, and has an area of 232 sq degrees.…
In this essay we’ll discuss the similarities and differences between two pieces of art from different civilizations. One difference that we’ll take note of beforehand is that the Stele of Naram-Sin is an Akkadian piece while the Palette of King Narmer is Egyptian. Now just because they’re from different cultures, you’d be surprised what they have in common. And thus, we start with the similarities of both pieces.…