suffers

In the novel Extremely Loud and Incredibly Close by Jonathan Safran Foer, there are some characters who lost their love ones. Everyone has a different way of approaching their sarrow. The novel illustrates some characters that stage the fact of moving on. There are characters like the protagonist Oskar , his grandfather, Mr. Black, and Ms. Black who struggle in the period of their loss to get over it and move on. Their lives was no longer the same nor the would live normal as their remberce take on a guilty feeling which affect thir life each and everyday. Oskar’s mom on the pther hand is more stabilized mentally and tries to move on from the absence of her husband.and also tries hard to recover her sons loss of his loveable father. Oskar is a very diferent nine-year-old who goes through the pain of the death of father the tragic loss of his father at an young age. While searching through his father’s closet, Oskar finds a key in an envelope with the world “Black” on it. Thus begins the journey of searching for every person in NYC with the last name Black. He even admits, “every time [he] left [the] apartment…[he] was getting closer to [his] dad” (52.) However, he gets very caught up in everything and finds himself in a big struggle.
An essay has been defined in a variety of ways. One definition is a "prose composition with a focused subject of discussion" or a "long, systematic discourse".[1] It is difficult to define the genre into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[2] He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference". These three poles (or worlds in which the essay may exist) are:
The personal and the autobiographical: The essayists that feel most comfortable in this pole "write fragments of reflective autobiography and look at the world through the keyhole of anecdote and description".
The objective, the factual, and the concrete-particular: The essayists that write from this pole "do not speak directly of themselves, but turn their attention outward to some literary or scientific or political theme. Their art consists on setting forth, passing judgement upon, and drawing general conclusions from the relevant data".
The abstract-universal: In this pole "we find those essayists who do their work in the world of high abstractions", who are never personal and who seldom mention the particular facts of experience.
Huxley adds that "the most richly satisfying essays are those which make the best not of one, not of two, but of all the three worlds in which it is possible for the essay to exist".
The word essay derives from the French infinitive essayer, "to try" or "to attempt". In English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays; he used the term to characterize these as "attempts" to put his thoughts into writing, and his essays grew out of his commonplacing.[3] Inspired in particular by the works of Plutarch, a translation of whose Oeuvres Morales (Moral works) into French had just been published by Jacques Amyot, Montaigne began to compose his essays in 1572; the first edition, entitled Essais, was published in two volumes in 1580. For the rest of his life he continued revising previously published essays and composing new ones. Francis Bacon's essays, published in book form in 1597, 1612, and 1625, were the first works in English that described themselves as essays. Ben Jonson first used the word essayist in English in 1609, according to the Oxford English Dictionary.