Literally and figuratively, Komunyakaa begins his poem with the image of the speaker “hiding inside the black granite” (2) of the Vietnam veterans’ memorial wall. This image gives the reader and the veteran the representation that he is almost one with the
Literally and figuratively, Komunyakaa begins his poem with the image of the speaker “hiding inside the black granite” (2) of the Vietnam veterans’ memorial wall. This image gives the reader and the veteran the representation that he is almost one with the