Summary Of Photography By Gregory Crewdson

Gregory Crewdson’s use of single images for the purposes of storytelling is as creative as it is commensurate with flash fiction. Both are self-contained, complete methods of conveying a rich story in a strictly condensed format. While flash fiction has a beginning, middle and end, it is considered a glimpse into a larger narrative. Crewdson’s use of photography accomplishes the very same goal of providing that glimpse while staying true to providing a complete story.

While it may seem difficult to understand how a single photograph can relay an entire story worth of information, the method divulges the how. Like any good flash fiction writer, Crewdson utilizes background scenes, props, characters, lighting and mood to flesh out his tales.
Both methods of short story require both effort and creativity. Viewing a scene from one of Crewdson’s photographs is not very different from reading a flash fiction story. All of the elements of good storytelling exist within both mediums.

Another correlation between Crewdson’s work and flash fiction, is the sense of an ongoing story that exists beyond the small view. Any good creator leaves behind a sense of wonder and conversation. Regardless of whether the tale includes an open-ended nature, the structure of flash fiction and single photographs is such that small glimpses entice the consumer to want more.

Details are important. Flash fiction and single photography both rely heavily on details to inform the consumer. A visual feast is better than a hazy overview. Without details, the mood and atmosphere are never set. The visual details are important in both mediums. Crewdson utilizes detail right down to the particular angle of a character’s posture. Each and every prop within the photograph serves to tell the story. Flash fiction is much the same. There is no time within the narrative for filler. Words that create a visual are what provides mood and