Arguments state that humanism is infact present in the painting. “St. Bartholomew holding his own skin and the knife used to flay it off. St. Bart's face (actually a portrait of the poet Pietro Aretino) doesn't match that of his skin's. Many hold that the droopy, almost terminally morose face on the skin is a psychological self-portrait of sorts by Michelangelo, known throughout his life to be a sulky, difficult character (and most likely a severe manic-depressive)” (8). Although this was stated above, it applies to the humanistic knowledge. According to Michelangelo’s background history and current sources the alive Bartholomew could either be poet Aretino or the Pope that commissioned this painting. Michelangelo’s was a stressed man, he most likely portrayed Bartholomew as Aretino because a rivalry between the two was affecting Michelangelo’s life drastically. The other argument was that Michelangelo guilt overtook his emotional values, he was guilty to have to paint such a disastrous and unhuman like painting (he felt it was inequal/ almost a sin to have to describe multiple human’s entry to Hell and Heaven at the same
Arguments state that humanism is infact present in the painting. “St. Bartholomew holding his own skin and the knife used to flay it off. St. Bart's face (actually a portrait of the poet Pietro Aretino) doesn't match that of his skin's. Many hold that the droopy, almost terminally morose face on the skin is a psychological self-portrait of sorts by Michelangelo, known throughout his life to be a sulky, difficult character (and most likely a severe manic-depressive)” (8). Although this was stated above, it applies to the humanistic knowledge. According to Michelangelo’s background history and current sources the alive Bartholomew could either be poet Aretino or the Pope that commissioned this painting. Michelangelo’s was a stressed man, he most likely portrayed Bartholomew as Aretino because a rivalry between the two was affecting Michelangelo’s life drastically. The other argument was that Michelangelo guilt overtook his emotional values, he was guilty to have to paint such a disastrous and unhuman like painting (he felt it was inequal/ almost a sin to have to describe multiple human’s entry to Hell and Heaven at the same