The style is definitely jazz and throughout the song her pitch would change especially during the improvising. The timbre between piano and double bass was closely alike with the exceptions of the bridge were there was clear difference between the sounds (Fitzgerald). The melody was pretty constant throughout the duration of the song. Besides Fitzgerald’s song, Beethoven’s Sympony No. 9 Mvt. 4 was probably the most diverse of the pieces in Unit 1(Orchestra). From changes of loudness, tempo, and rhythm, there was always a point during the performance that caught someone’s attention. Around the start, the main theme was played by the double bass so softly that it could be missed and soon was followed by the oboes and violins to build up (Orchestra).The theme was the only part of the symphony that I knew well while the other parts were all new to me. The soloists and choir’s harmonies together ranged from a polyphonic to homophonic texture, and the choir’s imitation of stars twinkling was actually interesting to hear (Orchestra). It was a first for me to hear anyone try to imitate a movement through sound, and the choir did a good job of invoking that scene. Beethoven’s Symphony along with the other pieces were interesting to listen to, and though each different styles, they all had…
Berlioz was known for his use of large orchestras, often made up of more than 1000 performers. The use of giant orchestras is a development of the romantic period. Leonard Bernstein describes the symphony as “”the first musical expedition into psychedelic because of its hallucinatory and dream-like nature”; this is very unique to a piece composed of this period. Berlioz composed music that represented his lively imagination. Freedom of form and design was also a key aspect of the romantic period and Berlioz’s symphony portrays this well. Lastly, during his five movements there is a large range of dramatic contrasts of dynamics and pitch, especially during his first movement. A dramatic contrast is also a characteristic well known during this…
The second piece I am going to discuss is the Symphony No.2 in D Minor, Op. 36 composed by Ludwig van Beethoven(1770-1827). It was in the Classical period, and the genre of it is Symphony because of it had four movements. The first movement is in the Adagio molto form, the second movement is in the Larghetto form, the third movement is in the Scherzo: Allegro form which breaks the rule of most of symphonies, and the fourth movement is in the Allegro molto form. The length of the work is about thirty-five minutes and…
Romanticism was an intellectual orientation that was instilled in many works of literature, painting, music etc. in Western civilization between the 1790's and 1840's…
Berlioz wrote a total of three symphonies in his artistically charmed life: Roméo et Juliette, Harold en Italie, and the Symphonie fantastique. Berlioz’s symphonies were notorious for being almost deafeningly loud due to the size of the orchestra that played them. “The Symphonie fantastique, subtitled “Episode in the Life of an Artist,” was inspired by the composer’s passionate love affair with Irish Shakespearean actress Harriet Smithson.” (Sayre 902) “The emphasis on overwhelming emotion, passion, and otherworldly scenes marks Berlioz as a key figure in the romantic movement of the nineteenth century.” (Sayre 911) What is significant about this piece is that there are five movements instead of four that were traditionally performed in symphonies of the day. In movement one, we see a young musician that meets and falls in love with the girl of his dreams. Movement two finds our hero watching his beloved dancing a concert waltz. The third movement in the piece shows the emotional…
Similarly, in The Slave Ship, Turner is depicting a story that was about one hundred years old at his time in which a ship returning from a colony threw its diseased and dead slaves overboard in order to claim cargo insurance money on them. In both instances, these subjects stay true to their respective stylistic periods—with Poussin’s French Baroque work being a classical, western subject and Turner’s Romantic work being from a different time and place, speaking to an interest in abolitionism and conjuring the sublime—and both are clearly presenting the topic of injustice and death; however, the way in which these narratives were depicted creates a large difference in their underlying messages. Ultimately, Poussin is suggesting that man has control of and dominates nature, while Turner is suggesting that nature is dominant over man, and mankind is truly nothing in the face of nature.…
The central ideas of the Romantics were nature is the source of spiritual belief, intense emotions, and complexity. This is shown in Thomas Cole’s painting Expulsion. This painting conveys each of these core beliefs. It expresses intense emotion through the ambiance of the dark mist, gives a source of spiritual belief by the light shining from the cave, and shows the complexity through the intricate formation…
The classical work of art was composed during the years of 1822-1824. “The Ninth Symphony seems the most like a construction of mirrors, reflecting and refracting the values, hopes, and fears of those who seek to understand and explain it.” (Kinderman, 2009) Of the four major movements within the song, Ode to Joy which is the final movement is very popular even today. It consists of many different instruments including the winds in twos, piccolo, and contra bassoon; 4 horns, 2 trumpets, 3 trombones;2 kettledrums, triangle, cymbals, bass drum (the three last only in the 4th movement); the strings, in quintet; a quartet of solo voices (soprano, alto, tenor and bass) in the finale; a four voice choir in the…
Despite its wealth of lovely melodies and adventuresome yet effective musical devices, this symphony is perhaps best known for its setting of the poetic text which occupies much of the final movement. Almost from the moment it was first published in 1785, Johann Christoph Friedrich von Schiller’s poem An die Freude (To Joy) captured the imaginations of myriad composers who began…
Although after about five minutes of the music my mind began to wander to other things. I found this intriguing because when I listened to the other piece I didn’t have a problem with keeping my mind on the piece. I’m not sure if it’s because I enjoyed the story behind the Symphonie Fantastique more, or if I was just more used to the European style. The piece then alternates between disconnected and together. Then at seven minutes and twenty-four seconds it sounds like it’s patterned in a one-three-four pattern then begins to decrescendo and then crescendos back up and then sounded a lot surer of itself.…
Davis, of the Conservatory Wind Symphony started off with “In Paradisum” by Rob Deemer. I realized that the star of this performance was the saxophone. The saxophone had a smooth and light feeling. The orchestra followed the saxophone in an imitative way. The dynamics were in mezzo forte and the tempo was in adagio. The tone colors of this piece had echo, vibrant, warm, and pinging. This piece had long, smooth notes of the rhythm.…
Among the characteristic attitudes of Romanticism were the following: a deepened appreciation of the beauties of nature; a general exaltation of emotion over reason and of the senses over intellect; a turning in upon the self and a heightened examination of human personality and its moods and mental potentialities; a preoccupation with the genius, the hero, and the exceptional figure in general, and a focus on his passions and inner struggles; a new view of the artist as a supremely individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures; an emphasis upon imagination as a gateway to transcendent experience and spiritual truth; an obsessive interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote, the mysterious, the weird, the occult, the monstrous, the diseased, and even the satanic.(WebMuseum:…
Even in the Nineteenth century Mozart was one of the leading Classical composers and was a master at all genres of classical music, his music was often cheerful and disorderly, but yet he could write outstanding melodies that were simple and unpretentious, which contained an unforgettable, haunting beauty. His music was greatly influenced by Franz Joseph Hayden' who was one of the main influences which transformed the classical genre from little more than a divertimento of strings to music with an almost chamber music style but which gave all parts of the orchestra an equal role. His ideas not only influenced Mozart they also went on to influence Ludwig Van Beethoven' who's music is not only astonishing and remarkable but is still very popular. But for what ever influential reason these composers wrote, all their musical compositions often had significant similarities, as with all classical music they were written for an orchestra, mainly full and often symphony. Many composers of the classical genre wrote music with flexible rhythm, and the symphonies they wrote were full of complicated and complex key changes, modulations and…
The period of music that affects me more than others is romanticism. Starting from the humble beginnings of the French Revolution where reason and regard to the rights of individuals were at its peak of either falling or ascending. With the recognition of the newly found freedoms it’s not a surprise that the style of music and literature evolved. Enter Romanticism where the distinction between music was grand, where music had character, and where true life experiences could be told. That liberty is one of many reasons why I enjoyed this period.…
As social and political views changed throughout history, a revolution in the art world followed. Artists use their pieces to explain their point of view, this includes writers, painters, and especially musicians. The end of the French Revolution inspired hope and visions for the future, which musicians responded by entering the Romantic period. In order to compare musicians in the Romantic period and those in the modern era, we must look into the stylistic choices of individual composers.…