Accordingly, the rhetoric idea learnt in writing poetry is found in the work of Williams. Analysts found that the author believes that localism aline may lead to culture. Ideally, the factor of imagism is well designed in The Red Wheelbarrow, giving credit to the poem under discussion. In this paper, the author will analyze various features of this poem, giving phonological, lexical, syntactic, and sematic features. This will help in giving a clear perception of the poem in terms of internalizing the context the author wanted to pass.
Brief Account of the Author
William Carlos Williams is a poet with an immense influence in the concept of poetry. He had various literatures with varying styles and techniques in his work. From the different literature that he did, William was quite experimental following the experience he had in writing. According to the readers, his work remains fresh and clear in their minds as it rejects sentimentality and vagueness.
The work also reflects the emotional part that restrains and heightens the sensory experience that articulates various speech ideas. The work of Carlos is inspired by other poets together with many generations that will follow. A general overview of his work shows that the author was influenced by many “-isms”.
Brief Account of the Work
The Red Wheelbarrow is among the many pieces of poetry written by William Carlos Williams. It is a simple poem composed of a single sentence broken up at numerous intervals. According to critics, one may find it truthful to highlight that “so much depends upon” each line of the literature work done by the author. This follows the fact that the design of the poem gives its meaning.
The Major Theme of the Poem
The Red Wheelbarrow is a poem that has a bright colored picture. This contrasts the existence between the white chicken beside the red wheelbarrow that relates to the colors of the
References: Cho, H. (2003). The Progression of William Carlos Williams’ Use of Imagery. Writing for a Real World, 4, 62–69. Easterbrook, N. (1994). "Somehow Disturbed at the Core": Words and Things in William Carlos Williams. South Central Review, 11(3), 25–44. Hefferman, J. A. W. (1991). Ekphrasis and Representation. New Literary History, 22(2), 297–316. Quoted in Rizzo, Sergio (2005). Remembering Race: Extra-poetical Contexts and the Racial Other in "The Red Wheelbarrow". Journal of Modern Literature, 29(1), 35. Williams, W. C. (2008). The Red Wheelbarrow. Retrieved from: http://www.writing.upenn.edu/~afilreis/88/wcw-red-wheel.html