In Tartuffe (1664), as in his other plays, Moliere employs classic comic devices of plot and character. Here, a foolish, stubborn father blocking the course of young love: an impudent servant commenting on her superiors’ actions; a happy ending involving a marriage facilitated by implausible means. He often uses such devices, however, to comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context.…
[ 5 ]. Peter A Goddard. “Converting the Savage: Jesuit and Montagnais in Seventeenth-Century New France.” The Catholic Historical Review 84.2(1988): 219-39…
4. In Tartuffe, Moliere uses dialogue to express irony in the play. When Orgon tells his brother-in-law, “You do not know the man of whom you speak,” it is ironic because although Cleante has never met Tartuffe in person, he does know that he is deceiving everyone. It is also ironic because Orgon is saying this even though he does not know Tartuffe’s true intentions. It is also ironic when Orgon says “Under his[Tartuffe] tutelage my soul’s been freed from earthly loves, and every human tie: My mother, children, brother, and wife could die, and I’d not feel a single moment’s pain,”( 276-279) because Orgon thinks that Tartuffe has taught him to free himself of human ties including family, but in actuality, he is placing Tartuffe so ahead of his family that he no longer cares about his family.…
In Molière’s play Tartuffe, Orgon takes in a man he sees as a good Christian man, Tartuffe. This man hits on Elmire, Orgon’s wife, behind Orgon’s back and his loyalty and true character start to show. Orgon’s son, Damis witnesses the betrayal and tries to expose Tartuffe for the fraud he is, but instead Orgon banishes him for treason. The voice of reasoning in this situation is Cleante, Orgon’s brother. In Act IX, Scene 1 Cleante is questioning Tartuffe's true motives regarding Orgon’s banishing of Damis when he says to Tartuffe, “Suppose the worst for us—suppose Damis/ Acted the traitor, and accused you falsely;/ Should not a Christian pardon this offence, / And stifle in his heart all wish for vengeance? / Should you permit that, for your petty quarrel, / A son be driven from his father’s house?” Cleante seems to be the voice of reason throughout the play. When things get out of order or heated, he is the level headed voice that sees things for what they truly are. He sees that if Tartuffe was as pious of a man as he claims to be, he wouldn’t be making the situation between Orgon and Damis worse.…
During the Enlightenment Period authors found their roles in life were to teach and entertain their audience. In Jean-Baptist Poquelin Moliere’s Tartuffe and Alexander Pope’s An Essay on Man, both artist achieve the Enlightenment’s goal, to teach and entertain. Both writers use satire, optimism, and emphasis on reason to inform and keep the attention of their audience. There are some regards that Moliere and Pope sacrificed art, creativity, or entertainment just for educations. Readers of both works will realize that there are no other works like the two and the two works are entertaining and teach audiences valuable lessons. Therefore, both Moliere and Pope effectively fulfill the…
Tartuffe is made out to be a righteous and holy man; he loses his innocence once he is framed by Elmire. “Ah! Ah! You are a traitor and a liar!, some holy man you are to wreck my life.” Tartuffe originally lost his innocence once he coveted Orgon’s wife. His pursuit for the wife turned coveting into lust. Orgon can now see that Tartuffe was not as holy as his reputation made him out to be. In fact, Tartuffe has ultimately disrespected Orgon, Elmire, and their daughter.…
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate and have control over social order. Mariane's strong obedience to her father (Orgon) supports the Neo-Classical element that the individual is not as important as society. Moliere discusses logic and reasoning by blindfolding Orgon to the reality of Tartuffe's intentions that causes him to make dumb decisions. In the process, Orgon disregard's his family when told of Tartuffe's intentions. After Tartuffe cons Orgon into believing that Damis's accusation is false Orgon replies, "I know your motives, I now you wish him ill:/Yes, all of you - wife, children, servants, all - /Conspire against him and desire his fall." (Moliere 341-342,46-48) Orgon then excommunicates his own son, indicating that his reasoning is deferred due to his ignorance. This in due course challenges the Neo-Classical belief that logic and reasoning is more important than emotion because Orgon acts solely on his emotions. He feels as if his family has turned against his friend so he operates upon his feelings. When Damis returns home and Tartuffe (instead of Orgon) gets locked up, order is restored. At the end, the family commends the officer for apprehending the true criminal by saying, "Heaven be praised! / We're safe.…
Please TYPE out your answers in complete sentences. Be mindful of sentence structure and grammar.…
The context surrounding the period in which Tartuffe was written in, the 17th Century is remembered as being a time of extreme power for the French Monarchy. King Louis XIV and Cardinal Richelieu transformed France’s feudal monarchy to an absolute monarchy. What must also be noted about this time is the fact that the Catholic Church and Politicians had a great deal of power over authors and playwrights. In this time of social and religious persecution, Molière created Tartuffe , a comedy dealing with hypocrisy and to a great extent, religion and how religion can be used in a negative way, to mask sin. The play is known to be offensive towards the Catholic Church and religion in general. When it was first performed in 1664, it was censored, it then took 5 years, until 1669 for the revised version of the play to be authorised. However it was and still is criticised by the religious community, as they believe Molière is attacking faith causing offense and a perception that he’s trying to destroy people’s faith in religion. A quote which adequately expresses the central meaning of the play and which shows that the play is an attack on religion, in particular the Catholic Church is in Molière a playwright and his audience, By William Driver Hawarth (p.203) and states;…
In 1664, Molière wrote a satire piece of literature, Tartuffe, that riled up a great deal of critics especially from making a mockery of the Church which during this time had a supreme expanse of power. Molière dances around the question of where has religion gone in the age of science? For if you are a rational man, then you will question the world around you because in order to change the past you must challenge it. If you don’t question it, then you will live in a repeated cycle of injustice and tradition. Justice is shown to be stronger since it consists of wisdom and virtue, whereas injustice portrays ignorance and absurdity. In the play a hypocritical unlawful man disguises himself as a manipulative holy man in order to meet his ends…
He declares a monk he is travelling with to be of “a fair for the maistrye” but then spends the rest of the description in demonstrating how the monk is not really of the highest value (Chaucer 165). The monk both hunts and has wealth, things a monk should not have or be doing and is to show that the church was filled with people abusing their power since religion was so important at the time and they could get away with it. In the play Everyman religion (God to be precise) had a larger role, but also a different underlying message. Unlike Sir Gawain and The Canterbury Tales, the religious part of the play is more about what values in life and what God wants from “Everyman”. The play is about how society should focus more on being religious and good instead of committing the “seven deadly sins damnable” (36). Although the message is to focus on good deeds in one’s lifetime, it comes off somewhat hypocritical, but differently than in Chaucer’s writings. Instead its focus is on what religious steps should be taken to be forgiven by God, what deeds one should focus on in life, but also shows how simple and easy it is for one to be forgiven at the very end of a…
Orgon foolishly believes in everything Tartuffe says and does. Even though his family members call his attention to Tartuffe’s obvious hypocrisy, Orgon stubbornly supports Tartuffe, even making him his heir and offering him the hand of his daughter. Orgon’s utter gullibility represents the attitude of churchgoers who accept sham religion characterized by zealotry. It also represents the foolhardiness of anyone who falls victim to hypocrisy in any form. However, in his mockery of Orgon and Tartuffe, Molière does not in any way impugn sincere religious…
In Moliere’s play Tartuffe, there is different examples of Neo-classical drama conventions that are given by the author. In Neo-Classical ideals logic and reasoning are critical. In the play, Moliere used character’s to represent the reasonable and logic thinking. Damis, Cleante, and Elmire see where the reason is in Tartuffe. They see Tartuffe for what he really is and that is what happens. Elmire who is Orgon’s wife meets with Tartuffe to beg him to not marry her daughter-n-law. Thinking that no one is watching Tartuffe proposes a love affair. However, Damis who was eavesdropping on the conversation steps out of the closet when Orgon comes in the room. Damis lays open to Tartuffe and exposes him to everyone. Nevertheless, Orgon doesn’t believe…
Cleante is trying to get Orgon to understand that Tartuffe is a bad guy, not someone that he should honor, but a hypocrite, a fake and a liar. Saur may be right in thinking that Cleante's logical argument is on the surface ignored, but his words against Tartuffe help to put the that hypocrite in a negative light and plant the seeds of doubt in Orgon's mind that will help the truth come to fruition later…
In Moliére's Tartuffe (Moiré 1664), the reader is able to see a great contrast of Extreme and Moderate characters. Extreme characters being those who are seen as over the top, or very passionate people, and the moderate characters having a more calm and subtle approach to ideas. The extreme characters in this case would be Madam Pernelle, Orgon, Tartuffe, and Dorine. The moderate characters are seen as Cleante and Elmire.…