Dialogue is also used by the author to create tension. At first the narrator is sceptical and doubtful about the red room and its alleged supernatural powers; "I can assure you ... that it will take a very tangible ghost to frighten me". His arrogant behaviour creates uneasiness in the reader's mind as it is typical in a Gothic story for the smug, non-believer to be the first victim of the story. However, as the story continues, we see that there is very little dialogue in the later parts of the story. Conversely, the fact that the story is written in the first person compensates for the lack of dialogue in the later parts of the story. We can also see that where there is dialogue, it is the narrator speaking to himself; "'Steady on!' I said. 'These candles are wanted'". This creates tension as it makes it seem as though the narrator is reassuring himself
Dialogue is also used by the author to create tension. At first the narrator is sceptical and doubtful about the red room and its alleged supernatural powers; "I can assure you ... that it will take a very tangible ghost to frighten me". His arrogant behaviour creates uneasiness in the reader's mind as it is typical in a Gothic story for the smug, non-believer to be the first victim of the story. However, as the story continues, we see that there is very little dialogue in the later parts of the story. Conversely, the fact that the story is written in the first person compensates for the lack of dialogue in the later parts of the story. We can also see that where there is dialogue, it is the narrator speaking to himself; "'Steady on!' I said. 'These candles are wanted'". This creates tension as it makes it seem as though the narrator is reassuring himself