The 7 Deadly Sins and 7 Cardinal Virtues
The 7 Deadly Sins and 7 Cardinal Virtues
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Overview
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The "Seven Deadly Sins"', also known as the "Capital Vices" or "Cardinal Sins", are a classification of vices that were originally used in early Christian teachings to educate and instruct followers concerning (immoral) fallen man's tendency to sin. The Roman Catholic Church divided sin into two principal categories: "venial", which are relatively minor, and could be forgiven through any sacrament of the Church, and the more severe "capital" or "mortal" sins, which, when committed, destroyed the life of grace, and created the threat of eternal damnation unless either absolved through the sacrament of confession, or otherwise forgiven through perfect contrition on the part of the penitent. Beginning in the early 14th century, the popularity of the Seven deadly sins as a theme among European artists of the time eventually helped to ingrain them in many areas of Christian culture and Christian consciousness in general throughout the world. One means of such ingraining was the creation of the mnemonic "SALIGIA" based on the first letters in Latin of the seven deadly sins: superbia, avaritia, luxuria, invidia, gula, ira, acedia.
Listed in the same order used by both Pope Gregory the Great in the 6th Century AD, and later by Dante Alighieri in his epic poem The Divine Comedy, the Seven deadly sins are as follows:
(7) Luxuria (extravagance, later lust);
(6) Gula (gluttony);
(5) Avaritia (greed);
(4) Acedia (sloth);
(3) Ira (wrath);
(2) Invidia (envy); and
(1) Superbia (pride).
Each of The Seven Deadly Sins has an opposite among the corresponding Seven holy virtues (sometimes also referred to as the Contrary Virtues).
The identification and definition of the Seven deadly sins over their history has been a fluid process and the idea of what each of the seven actually encompass has evolved over time. This process has been aided by the fact that they are not
========================================
Overview
--------
The "Seven Deadly Sins"', also known as the "Capital Vices" or "Cardinal Sins", are a classification of vices that were originally used in early Christian teachings to educate and instruct followers concerning (immoral) fallen man's tendency to sin. The Roman Catholic Church divided sin into two principal categories: "venial", which are relatively minor, and could be forgiven through any sacrament of the Church, and the more severe "capital" or "mortal" sins, which, when committed, destroyed the life of grace, and created the threat of eternal damnation unless either absolved through the sacrament of confession, or otherwise forgiven through perfect contrition on the part of the penitent. Beginning in the early 14th century, the popularity of the Seven deadly sins as a theme among European artists of the time eventually helped to ingrain them in many areas of Christian culture and Christian consciousness in general throughout the world. One means of such ingraining was the creation of the mnemonic "SALIGIA" based on the first letters in Latin of the seven deadly sins: superbia, avaritia, luxuria, invidia, gula, ira, acedia.
Listed in the same order used by both Pope Gregory the Great in the 6th Century AD, and later by Dante Alighieri in his epic poem The Divine Comedy, the Seven deadly sins are as follows:
(7) Luxuria (extravagance, later lust);
(6) Gula (gluttony);
(5) Avaritia (greed);
(4) Acedia (sloth);
(3) Ira (wrath);
(2) Invidia (envy); and
(1) Superbia (pride).
Each of The Seven Deadly Sins has an opposite among the corresponding Seven holy virtues (sometimes also referred to as the Contrary Virtues).
The identification and definition of the Seven deadly sins over their history has been a fluid process and the idea of what each of the seven actually encompass has evolved over time. This process has been aided by the fact that they are not
Bibliography: ------------ Boyle, Marjorie O 'Rourke [1997-10-23]. "Loyola 's Acts: The Rhetoric of the Self (The New Historicism: Studies in Cultural Poetics, 36)". Berkeley: University of California Press. ISBN 978-0-520-20937-4. http://ark.cdlib.org/ark:/13030/ft2t1nb1rw/