Greece, ca. 625-600 BCE.” and the “Neck Amphora, 575-550 BCE ”, according to the “Fred S. Kleiner, Gardner’s Art Through the Ages, Western Perspective”, “ By the mid-sixth century BCE, the Athenian, having learned the black-figure technique from the Corinthians, had taken over the export market for fine painted ceramics.” The "Castellani Painter" inherited the skill of the black- figure vase painting invented by the Corinthians, and his “Neck Amphora” was the one of the great outcomes in that period. The comparisons will be discussed in the followings. First of all, both verses are two handled jar and have identical shape, the “Neck Amphora” is about 14 inches high, and the “Corinthian black-figure amphora” is 1’ 2”inch. They both show many series of registers, animals were included such as lion. However the “Corinthian amphora” has more types of creatures than “Neck Amphora”. Besides that, it has the “siren”, half bird and half woman mythical creatures, which we don’t see on the “Neck Amphora”. In addition, even thought they shared the same Greek ceramists and vase painting techniques, there still have differences between the two. First, the appearance of the “Corinthian amphora” is darker than the “Neck Amphora”, which was covered with more vegetal images in the spaces between images if the creatures, on the other hand, the “Neck Amphora” turned out to the cleaner, with more blank spaces. There was a most important evolving feature between the two, the “Corinthian amphora” from the earlier period are more geometric design, the characters are more stiffness. However, moved to the “Neck Amphora” there is tends to be more naturalistic in the details, such as the facial expression and the posture of the human and animals. Furthermore, rather than having images continuously repeat around the vase, Athenians often have two different scenes on the opposite side to show different
Greece, ca. 625-600 BCE.” and the “Neck Amphora, 575-550 BCE ”, according to the “Fred S. Kleiner, Gardner’s Art Through the Ages, Western Perspective”, “ By the mid-sixth century BCE, the Athenian, having learned the black-figure technique from the Corinthians, had taken over the export market for fine painted ceramics.” The "Castellani Painter" inherited the skill of the black- figure vase painting invented by the Corinthians, and his “Neck Amphora” was the one of the great outcomes in that period. The comparisons will be discussed in the followings. First of all, both verses are two handled jar and have identical shape, the “Neck Amphora” is about 14 inches high, and the “Corinthian black-figure amphora” is 1’ 2”inch. They both show many series of registers, animals were included such as lion. However the “Corinthian amphora” has more types of creatures than “Neck Amphora”. Besides that, it has the “siren”, half bird and half woman mythical creatures, which we don’t see on the “Neck Amphora”. In addition, even thought they shared the same Greek ceramists and vase painting techniques, there still have differences between the two. First, the appearance of the “Corinthian amphora” is darker than the “Neck Amphora”, which was covered with more vegetal images in the spaces between images if the creatures, on the other hand, the “Neck Amphora” turned out to the cleaner, with more blank spaces. There was a most important evolving feature between the two, the “Corinthian amphora” from the earlier period are more geometric design, the characters are more stiffness. However, moved to the “Neck Amphora” there is tends to be more naturalistic in the details, such as the facial expression and the posture of the human and animals. Furthermore, rather than having images continuously repeat around the vase, Athenians often have two different scenes on the opposite side to show different